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Pillow : Landscape with Cupid, from the Foresteria (Guesthouse) 1757 (fresco)
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Landscape with Cupid, from the Foresteria (Guesthouse) 1757 (fresco)
FTB96466 Landscape with Cupid, from the Foresteria (Guesthouse) 1757 (fresco) by Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804); Villa Valmarana ai Nani, Vicenza, Italy; Italian, out of copyright
Media ID 22666626
© Bridgeman Images
Quiver Trompe L Oeil Trompe Loeil Giandomenico
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the exquisite fresco painting titled "Landscape with Cupid, from the Foresteria (Guesthouse) 1757" by Italian artist Giandomenico Tiepolo. The artwork is located at Villa Valmarana ai Nani in Vicenza, Italy and dates back to the 18th century. In this trompe l'oeil masterpiece, Tiepolo skillfully captures a scene of ethereal beauty and whimsy. A flying cupid takes center stage, gracefully soaring through an idyllic landscape. With his bow and quiver in hand, he exudes a sense of mischief as he playfully glides above rolling hills and lush greenery. The attention to detail in this fresco is truly remarkable. Every brushstroke brings life to the delicate foliage that surrounds Cupid's flight path. The soft hues used create a dreamlike atmosphere that transports viewers into a world of enchantment. Villa Valmarana ai Nani itself adds another layer of charm to this already mesmerizing artwork. Known for its unique architecture featuring dwarf statues ("nani" in Italian), it provides an intriguing backdrop for Tiepolo's creation. As we gaze upon this photo print, we are reminded of the timeless allure of Italian artistry and how it continues to captivate audiences even centuries later. It serves as a testament to Giandomenico Tiepolo's talent as well as our enduring fascination with mythological themes depicted through masterful technique.
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