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Pillow : Ms c-23 f. 99a, Thief taking his Loot, from The Maqamat (The Meetings) by Al-Hariri
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Ms c-23 f. 99a, Thief taking his Loot, from The Maqamat (The Meetings) by Al-Hariri
XIR169324 Ms c-23 f.99a, Thief taking his Loot, from The Maqamat (The Meetings) by Al-Hariri (1054-1121), c.1240 (gouache on vellum) by Persian School, (13th century); 26.5x21.5 cm; Institute of Oriental Studies, St. Petersburg, Russia; Persian, out of copyright
Media ID 12737762
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Abou Zayd Abu Zayd Al Hariri Al Maqama Arabic Assemblies Assembly Burglar Burglary Hajj Maqama Maqamat Meetings Picaresque Pilgrim Pilgrimage Pilgrims Plunder Robber Robbery Stealing The Meetings
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a mesmerizing scene from "The Maqamat" by Al-Hariri, a renowned Persian poet and writer from the 11th century. Titled "Thief taking his Loot" this exquisite gouache on vellum artwork takes us back to the 13th century, immersing us in an intricate world of medieval Arabic storytelling. In this miniature masterpiece, we witness a daring thief making off with his ill-gotten gains. The architectural details of the house he is robbing are meticulously depicted, adding depth and realism to the composition. The artist's skillful use of light and shadow creates an atmosphere of suspense and intrigue as we follow the thief's stealthy escape. "The Maqamat" is known for its picaresque tales that revolve around Abu Zayd, a witty trickster who navigates various adventures during his pilgrimage to Mecca (Hajj). This particular maqama (chapter) explores themes of theft and deception, capturing our imagination with its rich narrative. Preserved at the Institute of Oriental Studies in St. Petersburg, Russia, this remarkable piece serves as a testament to the enduring beauty and cultural significance of Islamic art. Through its illuminated colors and meticulous attention to detail, it transports us into another time and place – inviting us to delve into centuries-old stories filled with mystery and excitement.
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