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Pillow : Portrait of a Man, c. 1530-40 (panel)
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Portrait of a Man, c. 1530-40 (panel)
BI88608 Portrait of a Man, c.1530-40 (panel) by Amberger, Christoph (c.1490-1563) (attr. to); 59.8x50.2 cm; The Henry Barber Trust, The Barber Institute of Fine Arts, University of Birmingham; eBarber Institute of Fine Arts; eThe Henry Barber Trust, The Barber Institute of Fine Arts, University of Birmingham; German, out of copyright
Media ID 22790468
© Barber Institute of Fine Arts The Henry Barber Trust, The Barber Institute of Fine Arts, University of Birmingham / Bridgeman Images
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait, titled "Portrait of a Man" is a stunning example of the artistic brilliance of Christoph Amberger. Created around 1530-40, this panel painting measures 59.8x50.2 cm and is housed in The Barber Institute of Fine Arts at the University of Birmingham. The subject's piercing gaze immediately draws you into the image, as if he is inviting you to unravel his story. Dressed in an elegant cap and adorned with intricate rings on his fingers, he exudes an air of sophistication and refinement. Amberger's attention to detail is evident in every brushstroke. The delicate rendering of the man's facial features showcases his mastery over portraiture, capturing both physical likeness and inner character. His skin appears almost luminescent against a dark background, highlighting the artist's skillful use of light and shadow. A striking turquoise signet ring catches your eye, adding a pop of color amidst earthy tones. It hints at the subject's social status or personal significance while also serving as a decorative element that complements his attire. Intriguingly placed next to him is a potted plant with vibrant flowers blooming forth—a symbol often associated with growth and vitality. This juxtaposition suggests that there may be more to this man than meets the eye; perhaps he possesses hidden depths or ambitions yet to be revealed. Overall, Amberger's "Portrait of a Man" captivates viewers through its meticulous execution and enigmatic subject matter—an artwork that
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