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State of the Nation, 10th June 1829 (colour etching)
XCF290974 State of the Nation, 10th June 1829 (colour etching) by English School, (19th century); Private Collection; (add.info.: Manufactures and commerce support the Workmen, They the merchants and masters who are the chief tax payers and thereby Support The great tax eater Church and State ; ); English, out of copyright
Media ID 12813725
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Bishop Business Businessman Collapsing Commercial Danger Economic Economy Falling Financial Crisis Hanging On Hierarchy Industrialists Manufacture Manufacturers Mitre Perilous Taxes
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
State of the Nation, 10th June 1829 - A Glimpse into a Perilous Society
EDITORS COMMENTS
. This colour etching from the 19th century offers a thought-provoking commentary on the state of Great Britain in 1829. The image depicts a society hanging on to its fragile social structure amidst a looming financial crisis. Satirical and politically charged, this cartoon-like print captures the essence of an era marked by economic struggles and political unrest. The central theme revolves around the intricate relationship between manufactures, commerce, taxation, and power. In this visual narrative, it becomes apparent that workmen are supported by manufactures and commerce while simultaneously supporting tax-eating entities such as Church and State. This clever portrayal sheds light on the delicate balance required for societal stability. The imagery is rich with symbolism; collapsing politicians wearing crowns represent faltering leadership while bishops adorned with mitres symbolize religious institutions entangled in politics. Amidst this hierarchy stands King Economy himself – precarious yet resilient. The artist masterfully portrays businessmen and industrialists desperately clinging to their positions as they witness their world teetering towards danger. Meanwhile, ordinary citizens bear witness to these turbulent times; poor Georgians struggle under the weight of economic hardship. Through satire and caricature, this artwork serves as both a historical record and social critique. It invites viewers to reflect upon issues still relevant today – wealth disparity, political maneuverings, economic instability – reminding us that societies have always faced challenges throughout history.
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