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Pillow : Dagger, Dongson Culture, c. 200 BC-200 AD (bronze)

Dagger, Dongson Culture, c. 200 BC-200 AD (bronze)




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Dagger, Dongson Culture, c. 200 BC-200 AD (bronze)

PFR142278 Dagger, Dongson Culture, c.200 BC-200 AD (bronze) by Vietnamese School; Private Collection; ePaul Freeman; Vietnamese, out of copyright

Media ID 23368618

© Paul Freeman / Bridgeman Images

Knife Vietnamese


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This print showcases a remarkable artifact from the Dongson Culture, dating back to approximately 200 BC-200 AD. The bronze dagger depicted in this image is a testament to the exquisite craftsmanship and artistic prowess of the Vietnamese School during that era. With its intricate details and impeccable design, this weapon truly embodies the essence of Asian metalwork. The dagger's slender figure exudes elegance while simultaneously commanding attention with its sharp edges. Its gleaming surface reflects light, hinting at both its functional purpose as a formidable weapon and its symbolic significance within Vietnamese culture. As we admire this ancient relic through Paul Freeman's lens, we are transported back in time to an era where such weapons played a crucial role in shaping history. This photograph serves as a window into Vietnam's rich cultural heritage and offers us an opportunity to appreciate the ingenuity of past civilizations. Displayed here as part of a private collection, this bronze dagger stands not only as an object of historical importance but also as a work of art that transcends time. It reminds us of our human desire for protection and power while showcasing the skillful mastery achieved by artisans centuries ago. With every glance at this mesmerizing print, we are reminded that art has no boundaries or limitations; it speaks volumes about our shared humanity regardless of commercial use or affiliations.

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William Henry Pyne
William Henry Pyne
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Asian & Indian Sculptures & Artefacts
Asian & Indian Sculptures & Artefacts
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School Vietnamese
School Vietnamese
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