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Pillow : A gentleman kneels before a monk in a library, 18th century. 1911 (engraving)
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A gentleman kneels before a monk in a library, 18th century. 1911 (engraving)
7234827 A gentleman kneels before a monk in a library, 18th century. 1911 (engraving) by Borel, Antoine (1743-1810) (after); Private Collection; (add.info.: A gentleman kneels before a monk in a library, 18th century. Copperplate engraving heliogravure by Francois Rolland Elluinafter Antoine Borel from Jean-Charles Gervaise de Latouches Memoiren des Saturnin, von ihm selbst Niedergeschreiben, Privatdruck, Liepzig, 1911. Also known as Le Portier des Chartreux, it was one of several erotic novels written by Latouche, 1715-1782, a lawyer at the Paris Parliament.); © Florilegius
Media ID 25908376
© Florilegius / Bridgeman Images
2 People 2 Persons Anticleric Anticlericalism Cathloic Cathoic Coitus Copulating Copulation Debauchery Desire Envious Erotic Eroticism Erotism Exhibitionist Fornication Friar Friars Genitalia Homosexuality Homosexuals Intercourse Lesbian Lesbianism Libertinage Libertine Mores Nymphomania Orgasm Profligacy Roman Catholicism Sensual Sensuality Sex Appeal Sex Organ Sexology Sexual Sexual Identity Sexual Intercourse Sexuality Smutty Two Persons Vice Catholic Religion Catholics Christinaity Exhibitionism Flasher Gents Monks Religious Role Room Interior
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EDITORS COMMENTS
In this 18th-century engraving by Antoine Borel, we are transported to a serene library setting where an intriguing encounter takes place. A gentleman humbly kneels before a monk, their figures illuminated by the soft glow of candlelight. The scene exudes an air of mystery and reverence. The composition is rich in symbolism, hinting at themes of desire and eroticism that were prevalent during this time period. This particular print is derived from Jean-Charles Gervaise de Latouche's scandalous novel "Le Portier des Chartreux" known for its provocative content. Latouche, a lawyer at the Paris Parliament, penned several erotic novels that challenged societal norms. The contrast between the gentleman and the monk adds depth to the image. While one represents worldly desires and passion, the other embodies piety and devotion to his faith. It is through their interaction that we witness a clash between religious ideals and human nature. This engraving not only showcases Borel's artistic talent but also serves as a window into 18th-century France with its intricate details capturing French culture and Catholicism. The delicate lines etched onto copperplate bring life to each character portrayed in this intimate moment. As viewers, we are left pondering the complexities of religion, sexuality, and societal expectations depicted within this single frame—a testament to art's ability to provoke thought even centuries later.
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