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Pillow : Annunciation, c. 1535-40 (oil on panel)

Annunciation, c. 1535-40 (oil on panel)




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Annunciation, c. 1535-40 (oil on panel)

5973963 Annunciation, c.1535-40 (oil on panel) by Moretto, Alessandro Bonvicino (1498-1554); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia, Pinacoteca Tosio Martinengo: " Annunciazione", di Alessandro Bonvicino detto il Moretto, 1535-40. Olio su tavola.); Ghigo Roli

Media ID 25185654

© Ghigo Roli / Bridgeman Images

Angelo Annunciation Annunciazione Arcangelo Archangel Arte Brescia Cherubino Cristianesimo Dipinto A Olio Gabriel Gabriele Giglio Il Cinquecento Lily Oil Panel Painting Alessandro Bonvicino


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > Alessandro Bonvicino Moretto

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> Europe > Italy > Paintings

> Europe > Italy > Posters

> Europe > Italy > Related Images


EDITORS COMMENTS
This print showcases the exquisite artwork of Alessandro Bonvicino, also known as Moretto. Titled "Annunciation" this oil on panel painting was created between 1535 and 1540 and is currently housed in the Pinacoteca Tosio Martinengo in Brescia, Italy. The image captures a significant moment from Christian mythology - the Annunciation. In this scene, Archangel Gabriel appears before the Virgin Mary to deliver the news that she will conceive and give birth to Jesus Christ. The delicate brushstrokes and vibrant colors bring life to this religious narrative. Bonvicino's attention to detail is evident in every aspect of this masterpiece. From the intricate folds of fabric adorning Mary's gown to the heavenly glow surrounding Gabriel, each element contributes to a sense of divine presence within the composition. The inclusion of cherubim adds an ethereal touch, symbolizing purity and innocence. A lily held by Gabriel represents Mary's virginity while further emphasizing her role as Mother of God. Ghigo Roli skillfully captures all these nuances through his photography, allowing viewers to appreciate Bonvicino's artistry even from afar. This print serves as a testament not only to Moretto's talent but also as a reminder of Christianity's rich cultural heritage. Whether displayed in homes or galleries, this print invites contemplation and admiration for its historical significance and artistic brilliance.

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