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Street artist: a batonist (juggler of canes) in the streets of Parus, 1862
XEE4162951 Street artist: a batonist (juggler of canes) in the streets of Parus, 1862. Engraving in " Le Monde Illustre" nA'293 of November 22, 1862. by French School, (19th century); Private Collection; (add.info.: Street artist: a batonist (juggler of canes) in the streets of Parus, 1862. Engraving in " Le Monde Illustre" nA'293 of November 22, 1862.); Stefano Bianchetti; French, out of copyright
Media ID 22469964
© Stefano Bianchetti / Bridgeman Images
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This engraving takes us back to the bustling streets of Paris in 1862. The scene depicts a street artist, known as a batonist or juggler of canes, showcasing their incredible talent to an intrigued crowd. The artist skillfully balances multiple canes with precision and grace, mesmerizing onlookers with their dexterity. The image is taken from "Le Monde Illustre" a popular publication of the time, which captured various aspects of daily life in France. This particular engraving showcases the vibrant street art culture that thrived in Paris during the 19th century. The French School's attention to detail brings this historical moment to life. Every spectator's face tells a unique story - curiosity, awe, and amusement are all evident as they witness this extraordinary performance unfold before them. Stefano Bianchetti's masterful touch adds depth and texture to the artwork, enhancing its visual impact. Through his skilled engraving technique, he captures not only the physicality of the batonist but also conveys a sense of movement and energy within the composition. As we admire this print from our private collection today, it serves as a reminder of how art has always been intertwined with everyday life. It transports us back in time to experience firsthand the cultural richness that once filled those very streets where this talented batonist captivated audiences over a century ago.
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