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Pillow : Representation of Mary Magdalene with an Angel (Painting, 16th century)
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Representation of Mary Magdalene with an Angel (Painting, 16th century)
LRI4700033 Representation of Mary Magdalene with an Angel (Painting, 16th century) by Veronese, (Paolo Caliari) (1528-88); Circolo Culturale Tunnel, Genova, Italy; (add.info.: Representation of Mary Magdalene with an Angel Painting by Paolo Veronese (Caliari) (1528-1588) Genes, Circolo Culturale Tunnel); Luisa Ricciarini; Italian, out of copyright
Media ID 23328914
© Luisa Ricciarini / Bridgeman Images
Chest Crucifix Hourglass Long Naked Woman Penitent Regret Repent Saint Mary Madeleine Skull Vanita Art Venetian Art Cinquecento
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This 16th-century painting, titled "Representation of Mary Magdalene with an Angel" by Paolo Veronese (Caliari), transports viewers to a world of religious symbolism and profound emotion. The artwork, housed in the Circolo Culturale Tunnel in Genova, Italy, showcases Veronese's mastery in capturing the essence of biblical characters. In this particular piece, we see Mary Magdalene depicted as a penitent figure seeking redemption. She is accompanied by an angel who guides her on her spiritual journey. The artist skillfully portrays Mary's remorse and regret through her pensive expression and clasped hands. The composition is rich with symbolic elements that deepen the narrative. An hourglass reminds us of the fleeting nature of time and serves as a reminder for repentance. A skeleton nearby represents mortality while emphasizing the importance of salvation. Veronese's attention to detail is evident in his rendering of both figures' anatomies, particularly Mary's naked form which symbolizes vulnerability and purity. A crucifix placed prominently behind her signifies her devotion to Christianity. This masterpiece exemplifies Cinquecento art at its finest – dramatic lighting, meticulous brushwork, and vibrant colors create a visually stunning tableau that evokes contemplation on faith and spirituality. "Representation of Mary Magdalene with an Angel" continues to captivate audiences today with its timeless beauty and thought-provoking subject matter. It stands as a testament to Veronese's talent as well as his ability
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