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Caffre People, illustration from India Orientalis, published 1598 (engraving)
Ma448239 Caffre People, illustration from India Orientalis, published 1598 (engraving) by Bry, Theodore de (1528-98); Private Collection; (add.info.: An illustration of the description of the journeys of Jan Huyghen van Linschoten (1563-1611) of the Caffre people, natives of Mozambique who live throughout Ethiopia; It is said that the Caffres use glowing irons to make stripes and holes in their skin; ); Flemish, out of copyright
Media ID 12883460
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Age Of Exploration Bow And Arrow Ethiopia Ethiopians Mother And Child Mozambique Native People Caffre
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This engraving from the 16th century publication "India Orientalis" by Theodore de Bry offers a glimpse into the lives of the Caffre people, indigenous to Mozambique and Ethiopia. The intricate illustration showcases a mother and child surrounded by men and women of this native African tribe. The Caffres were known for their unique practices, one of which is depicted here - using glowing irons to create stripes and holes in their skin. This striking tradition was an integral part of their culture, serving as a form of self-expression or perhaps even symbolizing tribal affiliations. Jan Huyghen van Linschoten, whose journeys are described in this publication, encountered these fascinating individuals during his travels. His accounts shed light on the rich diversity that existed within Africa during the Age of Exploration. The image captures both curiosity and admiration for these distant lands and its inhabitants. It serves as a testament to human curiosity about different cultures throughout history. As we gaze upon this historical print today, we are reminded not only of our collective past but also how far we have come in understanding and appreciating diverse societies around the world.
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