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Pillow : Studies of Animals (S. Ex. 2-1885)
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Studies of Animals (S. Ex. 2-1885)
BAL25768 Studies of Animals (S.Ex.2-1885) by Carlil, Stephen Briggs (fl.1888-1903); Victoria & Albert Museum, London, UK; English, out of copyright
Media ID 12773329
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18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "Studies of Animals (S. Ex. 2-1885)" by Stephen Briggs Carlil takes us back in time to the late 19th century. Preserved in the Victoria & Albert Museum, London, this artwork showcases the incredible talent and meticulous attention to detail of its creator. The image depicts a donkey saddle placed on a sandy beach, evoking a sense of tranquility and nostalgia. The simplicity of the subject matter allows us to focus on the intricate textures and patterns captured within this composition. Every line and curve is meticulously rendered, showcasing Carlil's mastery over his craft. As we gaze upon this photograph, we are transported to an era where beaches were serene retreats for both humans and animals alike. The worn-out leather of the saddle tells tales of countless adventures embarked upon by riders who once sat atop it. Through this artwork, Carlil invites us to appreciate not only the beauty found in nature but also our connection with animals. It serves as a reminder that even seemingly ordinary objects can hold great significance when viewed through an artist's lens. This print from Fine Art Finder captures more than just an image; it encapsulates history and emotion within its frame. It reminds us that art has the power to transcend time, allowing future generations to experience moments long gone yet forever preserved through brushstrokes or camera lenses like this one by Stephen Briggs Carlil.
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