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Pillow : Font in Pipe Ridware Church: sepia drawing, 1839 (drawing)
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Font in Pipe Ridware Church: sepia drawing, 1839 (drawing)
5898363 Font in Pipe Ridware Church: sepia drawing, 1839 (drawing) by Buckler, John (1770-1851); 15.2x15.2 cm; (add.info.: Font in Pipe Ridware Church, Staffordshire, showing a round font with interlacing circles on the side, and a twisted rope ornament under the rim.); eWilliam Salt Library; English, out of copyright
Media ID 23571794
© William Salt Library / Bridgeman Images
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This sepia drawing, created in 1839 by John Buckler, transports us back to the serene atmosphere of Pipe Ridware Church in Staffordshire. The focal point of this artwork is a round font adorned with intricate interlacing circles on its side. Its elegant design exudes a sense of timelessness and craftsmanship. As we delve deeper into the details, our eyes are drawn to the twisted rope ornament delicately placed under the rim of the font. This subtle addition adds an element of texture and complexity to an otherwise simple structure. The artist's skillful use of sepia tones enhances the overall mood, giving it a nostalgic and vintage feel. It invites us to reflect on the rich history embedded within these ancient walls. This print, now housed at eWilliam Salt Library, serves as a window into another era—a glimpse into both architectural beauty and religious significance. It captures not only the physicality but also the spiritual essence that permeates through sacred spaces like Pipe Ridware Church. Whether you appreciate historical drawings or have an affinity for ecclesiastical artistry, this piece offers a unique perspective on both subjects. Its timeless appeal makes it a valuable addition to any collection or display dedicated to buildings, landscapes, chapels, churches or drawings from this period in English history.
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