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Altars (photo)




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Altars (photo)

GDG279511 Altars (photo) by Roman; Tiddis, Algeria; (add.info.: Autels; close to the city of Constantine, Tiddis was a very old Berber site. Roman modified the city and converted the name in Castellorum Tidditanorum; autel; ); eGerard Degeorge; out of copyright

Media ID 22941906

© Gerard Degeorge / Bridgeman Images

Algerian Archeological Site Cult North African Pavement Pillar Pillars Remain


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft pillows

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Algeria > Constantine

> Africa > Algeria > Related Images

> Architecture > Country > Africa

> Architecture > Styles > Roman Architecture

> Arts > Artists > R > Roman Roman


EDITORS COMMENTS
Altars (photo) captures the essence of ancient Algerian history in Tiddis, near Constantine. This remarkable print by Roman showcases the remains of a once-thriving Berber site that was later modified and renamed Castellorum Tidditanorum by the Romans. The image transports us to a time when this architectural marvel stood as a testament to cultural and religious practices. The photo reveals an archeological treasure trove, with pillars and altars scattered across the landscape. Each pillar tells its own story, standing tall amidst the ruins of what was once a bustling city. The intricate pavement design adds to the allure, showcasing the skill and craftsmanship of these ancient architects. As we gaze upon this North African wonder, we are reminded of how civilizations rise and fall, leaving behind fragments for us to piece together their rich pasts. The photograph encapsulates both beauty and decay, highlighting the fragility of human creations against the relentless passage of time. Gerard Degeorge's masterful composition allows us to appreciate not only the physical remnants but also invites contemplation on our own place within history. It serves as a reminder that culture is ever-evolving yet deeply rooted in our collective memory. This artwork is more than just an image; it is an invitation to explore Algeria's vibrant past through its architectural heritage.

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