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Pillow : Joseph Joachim (colour litho)
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Joseph Joachim (colour litho)
612295 Joseph Joachim (colour litho) by Ward, Leslie Matthew (Spy) (1851-1922); Private Collection; (add.info.: Joseph Joachim, The last of the classical school, 5 January 1905, Vanity Fair cartoon); Look and Learn / Peter Jackson Collection
Media ID 23235778
© Look and Learn / Peter Jackson Collection / Bridgeman Images
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a colour lithograph of Joseph Joachim, created by the talented Leslie Matthew Ward, also known as Spy. The image captures the essence of Joachim, who was hailed as "the last of the classical school". With its satirical undertones and scathing satire, this Vanity Fair cartoon from January 5th, 1905 offers a unique perspective on this renowned musician. In this caricature, we see Joachim depicted in his full glory. His commanding presence is evident through his confident posture and intense gaze. The artist's attention to detail brings out every nuance of Joachim's facial features and attire. As one delves deeper into this satirical drawing, it becomes clear that Ward intended to make a statement about the classical music scene at that time. Through clever symbolism and exaggerated elements, he highlights both the reverence for tradition associated with the classical school and perhaps some of its perceived limitations. The juxtaposition between elegance and mockery creates an intriguing tension within this artwork. It invites viewers to reflect on their own perceptions of classical music while appreciating Ward's artistic prowess in capturing such complexity within a single image. This print serves as a testament to Joseph Joachim's enduring legacy as well as Leslie Matthew Ward's ability to convey powerful messages through his satirical cartoons.
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