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Pillow : Still life, Vanity - oil on wood, 1656
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Still life, Vanity - oil on wood, 1656
LRI4571323 Still life, Vanity - oil on wood, 1656 by Claesz, Pieter (1597-1660); 39.5x60.5 cm; Kunsthistorisches Museum, Vienna, Austria; Luisa Ricciarini; Dutch, out of copyright
Media ID 22542298
© Luisa Ricciarini / Bridgeman Images
Baroque Style Bone Candle Holder Dry Fruit Eternity Flemish Style Futility Lamp Memento Mori Skull Transience Vanita Art Vanitas Vanity Death Symbols Fruitless Life And Death Vanitas Still Life
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the essence of a timeless masterpiece, "Still life, Vanity" by Pieter Claesz. Painted in 1656 during the Baroque period, this oil on wood artwork showcases the artist's exceptional talent and attention to detail. The composition is rich with symbolism, inviting viewers to contemplate the transience of life and the futility of earthly pursuits. A beautifully arranged assortment of objects fills the scene: a skull representing mortality, a smoking pipe symbolizing indulgence and pleasure, dry fruits signifying decay, and a pen alluding to human achievements. Amidst these reminders of our mortality stands an elegant candle holder illuminating the scene. Its flickering flame serves as a memento mori - a reminder that life is fleeting and should be cherished. Claesz's mastery lies in his ability to capture textures so realistically; from the delicate bone structure to every wrinkle on dried fruit skins. The play between light and shadow adds depth and drama to this vanitas still life. Luisa Ricciarini skillfully photographed this Dutch masterpiece housed at Kunsthistorisches Museum in Vienna. Her lens brings out every intricate detail while preserving its Flemish baroque style intact. This print serves as both an exquisite piece of art itself and as a tribute to Claesz's original work. It invites us into contemplation about our own existence - reminding us that vanity surrounds us but ultimately leads nowhere.
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