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Pillow : Porte de la Reine at Aigues-Mortes, 1867 (oil on canvas)
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Porte de la Reine at Aigues-Mortes, 1867 (oil on canvas)
7091195 Porte de la Reine at Aigues-Mortes, 1867 (oil on canvas) by Bazille, Jean Frederic (1841-70); 80.6x99.7 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright
Media ID 24128854
© Bridgeman Images
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18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Porte de la Reine at Aigues-Mortes, 1867
EDITORS COMMENTS
is a captivating oil painting by Jean Frederic Bazille that captures the essence of medieval France. The artwork depicts the grandeur and architectural beauty of the Porte de la Reine, an imposing gate in the fortified town of Aigues-Mortes. In this mesmerizing composition, two horses peacefully graze amidst the ruins of what was once a bustling castle. The vibrant colors and intricate details bring life to this historical scene, transporting viewers back to the 19th century. Bazille's masterful brushstrokes beautifully convey both strength and delicacy as he portrays not only the majestic architecture but also the natural surroundings. The artist's impressionist style adds a touch of softness to this otherwise rugged landscape. As we gaze upon this artwork, we are reminded of France's rich history and its enduring charm. The presence of a child near one of the arches evokes a sense of innocence against a backdrop steeped in centuries-old stories. This print from Bridgeman Images allows us to appreciate Bazille's talent and his ability to capture both man-made structures and nature in perfect harmony. It serves as a reminder that art has no boundaries or limitations when it comes to capturing moments frozen in time for generations to come.
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