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The Butter Plate, number 514, Satirical in Colours, 1911_2_4
ICA4918023 The Butter Plate, number 514, Satirical in Colours, 1911_2_4: Germany Prussia - Germania - Illustration by George of Ostoya-Sochinsky (D Ostoya) (1878-1937) by Ostoya, Georges d (Dochinsky or Sochinsky) (1878-1937); (add.info.: The Butter Plate, number 514, Satirical in Colours, 1911_2_4: Germany Prussia - Germania - Illustration by George of Ostoya-Sochinsky (D Ostoya) (1878-1937)); Photo eCaricadoc; French, out of copyright
Media ID 23338516
© Caricadoc / Bridgeman Images
Doubt Eyesight Future Germania Hygiene Prediction Scatology Woman Symbol Caricadoc Journalism Newspapers Prussia Prussian
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The Butter Plate, number 514, Satirical in Colours
EDITORS COMMENTS
is a captivating print that takes us back to Germany Prussia in the early 20th century. This satirical illustration by George of Ostoya-Sochinsky offers a unique glimpse into the social and political climate of the time. The image portrays Germania, symbolizing Germany, depicted as a woman with her eyes covered by two toilet seats. This clever representation suggests doubt and uncertainty surrounding Germany's future. The use of scatology adds an element of humor while also highlighting issues related to hygiene. Through this artwork, Ostoya provides a thought-provoking prediction about the direction Germany might take. The engraving hints at potential challenges faced by the country and raises questions about its vision for progress. This French press photograph captures not only the artistic brilliance but also reflects on France's perception of its neighboring nation during that era. It serves as a reminder of how art can be used as a medium for commentary and critique. As we delve into this piece from the late 19th century, it becomes evident that Ostoya was not only an exceptional engraver but also had keen insights into societal dynamics. "The Butter Plate" stands as a testament to his talent and contribution to journalism through visual storytelling. This image invites viewers to contemplate historical contexts while appreciating Ostoya's skillful use of color and composition. It serves as an important reminder that art has always played an integral role in shaping our understanding of past events and societies
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