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Pillow : Mrs. Charles Gordon, c. 1790 (oil on canvas)
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Mrs. Charles Gordon, c. 1790 (oil on canvas)
NTS28417 Mrs. Charles Gordon, c.1790 (oil on canvas) by Raeburn, Henry (1756-1823); Fyvie Castle, Scotland, UK; (add.info.: Mrs Charles Gordon, nee Christian Forbes of Ballogie, Wife of Charles Gordon of Buthlaw, Lonmay and Cairness ); eNational Trust for Scotland; Photo eNational Trust for Scotland; Scottish, out of copyright
Media ID 23344710
© National Trust for Scotland Photo National Trust for Scotland / Bridgeman Images
Charles Gordon Gown White Dress
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait, titled "Mrs. Charles Gordon, c. 1790" is a stunning oil on canvas masterpiece by the renowned artist Henry Raeburn. The painting showcases the elegance and grace of Mrs. Charles Gordon, formerly known as Christian Forbes of Ballogie. Dressed in a beautiful white gown, Mrs. Gordon exudes an air of sophistication and refinement that was characteristic of Georgian women during this era. Her half-length pose allows us to appreciate her delicate features and the intricate details of her attire. The artist skillfully captures Mrs. Gordon's serene expression, hinting at her inner strength and poise. As we gaze into her eyes, we are transported back in time to 18th-century Scotland, where she resided with her husband Charles Gordon at Buthlaw, Lonmay, and Cairness. Displayed within Fyvie Castle in Scotland, this portrait serves as a testament to both the artistic talent of Henry Raeburn and the timeless beauty possessed by Mrs. Charles Gordon herself. As we admire this remarkable piece from eNational Trust for Scotland's collection, it is evident why it has become such an iconic representation of female portraiture from this period in British history.
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