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Pillow : By the field (b / w photo)
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By the field (b / w photo)
7181860 By the field (b/w photo) by Wendt, Lionel (1900-40); Private Collection; (add.info.: By the field. Illustration for Ceylon by Lionel Wendt (Lincolns-Prager, London, 1950).); © Look and Learn
Media ID 25903538
© Look and Learn / Bridgeman Images
Back Erotic Eroticism Fields Flower Meadow Meadow Pastures Sensual Sensuality Sri Lanka Sri Lankan View From The Back Bodies
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
By the Field - A Captivating Black and White Journey into Sensuality
EDITORS COMMENTS
. This mesmerizing photograph, titled "By the Field" captures a moment of ethereal beauty that transcends time. Taken by Lionel Wendt in the early twentieth century, this print showcases his exceptional talent for capturing sensuality through his lens. The image transports us to a serene meadow, where vibrant flowers blanket the landscape. The view from behind reveals a figure standing amidst the lush pastures, their body gracefully merging with nature's splendor. There is an undeniable aura of eroticism as we witness this intimate connection between human and environment. Wendt's masterful use of photography adds depth and mystery to the scene. The absence of color allows us to focus solely on form and texture, enhancing our perception of sensuality. Every contour is accentuated against the contrasting backdrop, evoking a sense of both vulnerability and strength. Originating from Sri Lanka (Ceylon), Wendt brings an Asian perspective to his work, infusing it with cultural richness. This particular piece serves as an illustration for his book "Ceylon" published in 1950. As we gaze upon this composition captured by Bridgeman Images' Fine Art Finder collection, we are reminded that art has no boundaries or limitations when it comes to expressing human emotions and desires.
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