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Pillow : Sultan at the Marquess of Exeters Stud, Burghley, 1826 (oil on canvas)
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Sultan at the Marquess of Exeters Stud, Burghley, 1826 (oil on canvas)
XYC222364 Sultan at the Marquess of Exeters Stud, Burghley, 1826 (oil on canvas) by Marshall, Lambert (1810-70); 63.5x76.2 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12765649
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Breed Breeder Breeding Chestnut Exeter Leading Stable Hand Stallion Regency
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print titled "Sultan at the Marquess of Exeters Stud, Burghley, 1826" transports us back to a bygone era of elegance and grandeur. Painted by Lambert Marshall in oil on canvas, this masterpiece measures 63.5x76.2 cm and is housed in the prestigious Yale Center for British Art's Paul Mellon Collection. The focal point of the image is Sultan, a magnificent chestnut stallion standing proudly amidst the picturesque surroundings of the Marquess of Exeter's stud farm. The horse exudes strength and nobility as it is led by an equestrian figure through the rustic stable grounds. The composition beautifully captures not only Sultan's regal presence but also provides glimpses into rural life during Georgian times. A young stable hand can be seen attentively assisting with leading Sultan while showcasing his expertise in handling such majestic creatures. This artwork serves as a testament to the importance placed on breeding and preserving exceptional bloodlines within English society during this period. It offers viewers a glimpse into an industry that was not only economically significant but also deeply intertwined with sporting traditions. As we admire this exquisite piece from Marshall's collection, we are reminded of how art has the power to transport us across time and immerse us in different worlds – allowing us to appreciate both beauty and history simultaneously.
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