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Candide, Satirique en N & B, 1931_4_9: Teaching, Automobile
ICA4941219 Candide, Satirique en N & B, 1931_4_9: Teaching, Automobile, School Illustration by Abel Faivre (1867-1945) by Faivre, Jules Abel (1867-1945); (add.info.: Candide, Satirique en N & B, 1931_4_9: Teaching, Automobile, School Illustration by Abel Faivre (1867-1945)); Photo eCaricadoc; French, out of copyright
Media ID 23718386
© Caricadoc / Bridgeman Images
Automotive Call Circulation Danger Distrust Gear Information Sign Tourist Caricadoc Journalism Newspapers
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The print titled "Candide, Satirique en N & B, 1931_4_9: Teaching, Automobile" captures a fascinating illustration by Abel Faivre. Created in 1931, this black and white satirical artwork depicts a scene of teaching and automobiles in an educational setting. The image showcases the artist's keen sense of humor and his ability to convey societal messages through his work. In the illustration, we see a group of students gathered around an automobile with their teacher. The car is adorned with various signs and symbols that represent different aspects of French society during that time period. From tourism to transportation, each element serves as a commentary on the dangers and distrust associated with modernity. Faivre's engraving skillfully combines elements from both the 19th century and the early 20th century, highlighting the transition between these two eras. The intricate details within the artwork invite viewers to delve deeper into its meaning while appreciating Faivre's craftsmanship. This print not only reflects Faivre's talent as an engraver but also offers valuable insights into French culture at that particular moment in history. It serves as a reminder of how art can be used to critique society while providing entertainment for its audience.
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