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Pillow : The Laughter, Satirical in Colours, 1907_2_16: Circus Games - Clemenceau George, Briand Aristide, Jesuites - Illustration by Jules Fontanez (1875-1918)
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The Laughter, Satirical in Colours, 1907_2_16: Circus Games - Clemenceau George, Briand Aristide, Jesuites - Illustration by Jules Fontanez (1875-1918)
ICA4861039 The Laughter, Satirical in Colours, 1907_2_16: Circus Games - Clemenceau George, Briand Aristide, Jesuites - Illustration by Jules Fontanez (1875-1918); (add.info.: The Laughter, Satirical in Colours, 1907_2_16: Circus Games - Clemenceau George, Briand Aristide, Jesuites - Illustration by Jules Fontanez (1875-1918)); Photo © Caricadoc
Media ID 38266206
© © Caricadoc / Bridgeman Images
Aristide Briand Briand Carnival Circus Clemenceau Disguising Georges Clemenceau Homme Politique Politician Spectator Squiyer Tamer Caricadoc
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This vibrant and satirical illustration captures a moment of levity amidst the serious world of politics. The scene depicts Circus Games featuring prominent French politicians Clemenceau George and Briand Aristide, along with Jesuites, all engaging in playful antics under the big top.
The artist, Jules Fontanez, known for his sharp wit and keen eye for satire, brings these larger-than-life figures to life in a whimsical and colorful manner. Clemenceau George, known for his strong leadership as Prime Minister during World War I, is shown here in a comical light alongside Briand Aristide, another influential statesman of the time.
The inclusion of Jesuites adds an element of religious satire to the mix, highlighting the complex relationship between church and state. The circus setting further emphasizes the theatrical nature of politics and power dynamics at play.
As spectators look on with amusement, horses prance around the ring and performers engage in various games and tricks. This artwork serves as a reminder that even those in positions of authority are not immune to moments of joy and laughter.
Overall, this print is a delightful snapshot from early 20th-century France that blends humor with political commentary in a visually striking way.
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