Pillow : Self Portrait with Father and Brother, c. 1760-62 (oil on canvas)
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Self Portrait with Father and Brother, c. 1760-62 (oil on canvas)
XYC203419 Self Portrait with Father and Brother, c.1760-62 (oil on canvas) by Mortimer, John Hamilton (1741-79); 76.2x63.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12754532
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Game Bird Hounds Shotgun Siblings Snipe Woodcock
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this self-portrait, artist John Hamilton Mortimer takes us back in time to the mid-18th century. The painting showcases a moment of familial connection and shared passion for the outdoors. Standing proudly at the center is Mortimer himself, flanked by his father and brother. Their presence exudes an air of camaraderie and hints at their close bond. The composition is rich with symbolism and details that bring the scene to life. Mortimer's skilled brushwork captures not only the likeness of his family members but also their individual personalities. A pair of loyal hounds stands faithfully beside them, embodying loyalty and companionship. The setting reveals their shared love for hunting as they hold shotguns and rifles, evidence of their prowess in pursuing game birds like snipe or woodcock. In a poignant touch, one such bird lies lifeless on the ground nearby, signifying both triumph over nature's challenges and mortality itself. Beyond its intimate portrayal of family ties, this artwork also offers a glimpse into English society during this era. The landscape surrounding them suggests vast open spaces where they can indulge in their favorite pastime. Preserved within Yale Center for British Art's Paul Mellon Collection, this self-portrait serves as a testament to Mortimer's artistic talent while providing viewers with an intriguing window into 18th-century England.
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