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Coronation of the Virgin (oil on canvas)
AGN358237 Coronation of the Virgin (oil on canvas) by Credi, Lorenzo di (1456-1536); Private Collection; Photo eAgnew s, London; Italian, out of copyright
Media ID 22679288
© Agnew's, London / Bridgeman Images
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the exquisite masterpiece titled "Coronation of the Virgin" by Lorenzo di Credi. Painted in oil on canvas during the 16th century, this religious artwork depicts a momentous event in Christian tradition. The focal point of the painting is a female figure, believed to be the Virgin Mary, kneeling before God as she is crowned by celestial beings and surrounded by saints. The artist's attention to detail and skillful brushwork bring out the divine aura that envelops this sacred scene. Lorenzo di Credi's portrayal captures both the solemnity and beauty of this significant event. The figures are rendered with grace and reverence, evoking a sense of awe and devotion. The composition exudes harmony through its balanced arrangement of male and female saints surrounding Mary, emphasizing her central role in Christianity. As we gaze at this remarkable piece captured by Bridgeman Images, we are transported back to an era where art was used as a means to express faith and spirituality. This particular painting serves as a testament to the enduring power of religious imagery throughout history. Whether you appreciate it for its artistic brilliance or find solace in its spiritual symbolism, "Coronation of the Virgin" remains an iconic representation of devotion that continues to resonate with viewers today.
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