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View showing Hare & Sons Floor Cloth Manufactory (outside of Temple Gate
2832438 View showing Hare & Sons Floor Cloth Manufactory (outside of Temple Gate) and Redcliffe Church, 1821 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; British, out of copyright
Media ID 23473804
© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images
Avon Bristol Redcliffe Temple Gate
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print takes us back to the year 1821, offering a glimpse into the bustling city of Bristol, England. The view showcases the renowned Hare & Sons Floor Cloth Manufactory situated just outside Temple Gate, juxtaposed against the majestic Redcliffe Church. The artist, Hugh O'Neill, skillfully captures this scene using pencil and watercolor on paper. His attention to detail brings life to every element within the composition - from the intricate architectural features of both buildings to the serene flow of Avon River in front. As we explore this image further, our eyes are drawn towards a variety of boats gracefully floating along the riverbank. Among them is a tugboat diligently transporting goods and people across these historic waters. Bristol's rich maritime heritage is beautifully depicted in this painting; it serves as a testament to its significance as an important trading port during that era. This artwork not only celebrates British history but also highlights how art can preserve moments in time for future generations. Today, this remarkable piece resides within Bristol Museum and Art Gallery thanks to William Jerdone Braikenridge's generous bequest in 1908. Its presence allows visitors to step back into history and appreciate both O'Neill's artistic talent and Bristol's vibrant past.
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