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Mr Pecksniff and Old Martin Chuzzlewit, illustration for
IL193473 Mr Pecksniff and Old Martin Chuzzlewit, illustration for Character Sketches from Dickens compiled by B.W. Matz, 1924 (colour litho) by Copping, Harold (1863-1932); Private Collection; English, out of copyright
Media ID 23358250
© Bridgeman Images
1812 70 Armchair Armchairs Clasped Hands Gold Digger Grandfather Hypocrite Morning Coat Seth Watch Chain Widower Wizened Architects Charles Dickens
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the intriguing relationship between Mr Pecksniff and Old Martin Chuzzlewit, two iconic characters from Charles Dickens' renowned novel. The illustration, skillfully created by Harold Copping in 1924, beautifully captures the essence of these complex individuals. In this scene, we find Old Martin Chuzzlewit comfortably seated in a grand armchair, his wizened face reflecting a lifetime of experiences. As a widower and elderly man, he exudes wisdom and vulnerability simultaneously. On the other side sits Mr Pecksniff, an ingratiating hypocrite with clasped hands that hide ulterior motives beneath their surface. The contrast between these two figures is striking; while Old Martin appears genuine and sincere with his watch chain adorning his morning coat, Mr Pecksniff's true intentions are concealed behind an insincere smile. His gold-digging nature becomes evident as he seeks to exploit the vulnerable widower for personal gain. The setting itself adds depth to the narrative - elegant armchairs and exquisite furnishings create an atmosphere of sophistication befitting these characters' social standing as architects in 19th century England. Through this evocative image, viewers are transported into Dickens' world where deceitful schemers like Mr Pecksniff prey on unsuspecting victims like Old Martin Chuzzlewit. It serves as a reminder of the timeless themes explored by Dickens - greed versus authenticity, manipulation versus sincerity - all brought to life through Copping's master
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