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Symptoms Of The Finish Of "Some Sorts Of Life"In London - Tom, Jerry and Logic
2562173 Symptoms Of The Finish Of " Some Sorts Of Life" In London - Tom, Jerry and Logic, in the Press Yard, at Newgate, from Tom and Jerrys Life in London, 1823 (hand-coloured engraving) by Cruikshank, Isaac Robert (1789-1856) & George (1792-1878); Private Collection; The Stapleton Collection; English, out of copyright
Media ID 22590286
© The Stapleton Collection / Bridgeman Images
Blacksmith Chaplain Chaplains Dandies Dandy Gentleman Gentlemen Hammer Hammers Jerry Newgate Prisoners Shackled Shackles Tail Coat Tongs Top Hat Top Hats Tail Coats
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "Symptoms Of The Finish Of 'Some Sorts Of Life' In London - Tom, Jerry and Logic" takes us back to the bustling streets of 19th-century London. Created by Isaac Robert Cruikshank and George Cruikshank in 1823, this hand-coloured engraving offers a glimpse into the vibrant world of Tom and Jerry's life in the city. The scene unfolds in the Press Yard at Newgate prison, where we find ourselves surrounded by an eclectic mix of characters. A gentleman, a chaplain, a blacksmith, and several prisoners are all engaged in various activities amidst their distinctive attire. Their tailcoats and top hats speak volumes about their social status while emphasizing the fashionable trends of that era. The image captures a moment filled with energy as hammers strike against anvils and tools are wielded with purpose. Shackles serve as a stark reminder of the prisoners' predicament while adding an element of tension to the composition. Through this intricate cartoon-like depiction, we witness not only the fashion choices but also gain insight into societal dynamics during that time period. It is evident that even within confinement, individuals from different walks of life coexist within these walls. Overall, this print serves as both an artistic masterpiece and historical document – transporting us back to early 19th-century London while offering glimpses into its diverse inhabitants' lives.
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