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Pillow : Cycle of the Life of the Virgin, Presentation of Jesus at the Temple, c. 1445 (oil on poplar panel)
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Cycle of the Life of the Virgin, Presentation of Jesus at the Temple, c. 1445 (oil on poplar panel)
XIR414540 Cycle of the Life of the Virgin, Presentation of Jesus at the Temple, c.1445 (oil on poplar panel) (b/w photo) by Giovanni Francesco da Rimini (c.1420-70); Louvre, Paris, France; (add.info.: Vie de la Vierge; 1282 c; Photo Giraudon 1927; formerly attributed to Venitian School, (15th century) to Gentile da Fabriano (school of) to the Master of the Scenes of the Life of the Virgin; Maitre des Scenes de la Vie de la Vierge; part of an incomplete altarpiece of twelve scenes on the Virgin; ); Italian, out of copyright
Media ID 12876964
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18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases Giovanni Francesco da Rimini's masterpiece, "Cycle of the Life of the Virgin, Presentation of Jesus at the Temple". Painted in 1445 with oil on poplar panel, this artwork is housed in the prestigious Louvre Museum in Paris, France. The image depicts a significant biblical scene where Mary and Joseph present baby Jesus at the temple. The composition exudes a sense of divine serenity as Mary holds her son tenderly while St. Joseph stands by their side. Both figures are adorned with halos, symbolizing their sacred status. Giovanni Francesco da Rimini's attention to detail is evident in every brushstroke captured by this photograph. The delicate features and expressions on each face convey a deep sense of devotion and reverence. The artist's mastery shines through his skillful use of light and shadow to create depth and dimension within the painting. Originally attributed to various artists from Venetian School to Gentile da Fabriano, it was later recognized as part of an incomplete altarpiece depicting twelve scenes from the life of the Virgin Mary. This particular scene beautifully captures an intimate moment that highlights both religious significance and maternal love. As we gaze upon this remarkable piece through this stunning photo print, we are transported back in time to witness a pivotal event in Christian history—a testament to both artistic excellence and spiritual devotion.
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