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2786578
Media ID 23130224
© Look and Learn / Bridgeman Images
Austro Hungarian Empire Concert Conductor Edward Vii Foreign Relations Franz Joseph I Le Rire Nicholas Ii Tsar Austria Austrian Austrians Caricatures
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "2786578" is a satirical drawing that brilliantly captures the disharmony in foreign relations during a significant period of history. The artist's scathing satire portrays several European nations, including Austria, France, and Great Britain, along with their respective royal figures. The cleverly crafted caricatures highlight the political tensions and humorous aspects of these countries' interactions. In this amusing scene set at a concert hall, we see an allegory of musicians representing different nations playing together but creating a false note. The conductor symbolizes Emperor Franz Joseph I of Austria-Hungary, who struggles to maintain harmony among his diverse subjects. Meanwhile, King Edward VII of Great Britain and Tsar Nicholas II of Russia are depicted as comical figures adding to the overall humor. The artwork originates from the renowned French magazine "Le Rire" known for its comic illustrations and social commentary. It showcases the artist's wit and talent in capturing political nuances through satire. With its rich historical context and witty portrayal of key players on the world stage at that time, this satirical cartoon offers viewers a glimpse into early 20th-century politics while providing entertainment through its clever composition. This print serves as both an artistic masterpiece and an insightful reflection on international relations during this era.
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