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Pillow : Genesis II (Schopfungsgeschichte II), 1914 (woodcut in yellow, black, and green)
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Genesis II (Schopfungsgeschichte II), 1914 (woodcut in yellow, black, and green)
3248180 Genesis II (Schopfungsgeschichte II), 1914 (woodcut in yellow, black, and green) by Marc, Franz (1880-1916); National Gallery of Art, Washington DC, USA; German, out of copyright
Media ID 18259589
© National Gallery of Art, Washington DC, USA / Bridgeman Images
Abstraction Blaue Reiter Blue Rider Creation Expressionism Expressionist German Expressionism German Expressionist Motif Stylised Woodblock Colour Print
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Genesis II (Schopfungsgeschichte II), 1914
EDITORS COMMENTS
is a captivating woodcut print that showcases the artistic brilliance of Franz Marc, a prominent German expressionist. The vibrant composition, rendered in yellow, black, and green hues, immediately catches the viewer's attention. This colour palette adds an element of dynamism and intensity to the artwork. The print depicts a stylized representation of creation, with various symbolic motifs scattered throughout. Marc's use of abstraction and pattern creates a visually striking image that invites contemplation. The motif of animals can be observed within the composition, emphasizing nature's role in the genesis of life. As part of the Blue Rider movement - an influential group advocating for spiritual renewal through art - this piece exemplifies German expressionism at its finest. It embodies the movement's emphasis on emotional depth and subjective interpretation. The overall design exudes energy and vitality while maintaining a sense of harmony within its abstract forms. Each element seems carefully placed to convey both chaos and order simultaneously. Housed in the National Gallery of Art in Washington DC, this remarkable woodcut print continues to captivate audiences with its powerful symbolism and masterful execution. Its timeless appeal transcends boundaries as it represents not only German expressionism but also universal themes such as creation itself.
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