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The Duke of Dorset, 1744 (oil on canvas)
3114410 The Duke of Dorset, 1744 (oil on canvas) by Knapton, George (1698-1778); Private Collection; (add.info.: Charles Sackville (1711-69), Earl of Middlesex, later 2nd Duke of Dorset, painted for the Society of Dilettanti, a group of noblemen and scholars sponsoring study of ancient Greek and Roman art after the Grand Tour.); English, out of copyright
Media ID 23261096
© Bridgeman Images
Centurion Club Cricketer Freemason Gentleman Grand Tour Member Of Parliament
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The Duke of Dorset, 1744
EDITORS COMMENTS
is a captivating oil painting by George Knapton that showcases the distinguished figure of Charles Sackville, the Earl of Middlesex and later the 2nd Duke of Dorset. Commissioned by the Society of Dilettanti, an esteemed group supporting the study of ancient Greek and Roman art after their Grand Tour, this portrait exudes elegance and sophistication. In this remarkable artwork, Sackville stands tall with an air of authority befitting his noble status. The artist skillfully captures every detail, from his finely tailored clothing to his confident gaze. The painting reflects both English grandeur and classical influences as it embodies "viva la virtu" - a celebration of knowledge and culture. Sackville's involvement in various spheres is evident through symbolic elements within the composition. As a member of parliament and politician, he holds a position at the heart of England's political landscape. Additionally, references to cricketing attire suggest his passion for sportsmanship while alluding to his role as Lord Buckhurst in founding one of England's earliest cricket clubs. This portrait not only immortalizes an influential figure but also serves as a testament to Georgian society's fascination with travel and exploration during the Grand Tour era. It encapsulates both Grecian taste and Roman spirit – ideals that were highly valued among intellectuals at that time. "The Duke of Dorset, 1744" remains an exquisite example from Knapton's oeuvre; it offers viewers
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