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Pillow : Inside the house with a Penny Farthing Bicycle, c. 1890 (sepia photo)
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Inside the house with a Penny Farthing Bicycle, c. 1890 (sepia photo)
678991 Inside the house with a Penny Farthing Bicycle, c.1890 (sepia photo) by Johnston, Frances Benjamin (1864-1952); Private Collection; (add.info.: Frances Benjamin Johnston, full-length self-portrait dressed as a man with false moustache, posed with a penny farthing bicycle, facing left); Universal History Archive/UIG
Media ID 31718108
© Universal History Archive/UIG / Bridgeman Images
Bicycle Bicycles Bicyle Bicyles Bike Bikes Cross Dressing Dressed Up
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This sepia print takes us back to the late 19th century, inside a house filled with timeless charm. The focal point of the image is an extraordinary Penny Farthing Bicycle, standing tall and proud in all its vintage glory. This iconic mode of transportation was popular during that era, known for its large front wheel and smaller rear wheel. Frances Benjamin Johnston, a renowned photographer from that time period, captures our attention as she playfully poses with the bicycle. Dressed as a man complete with a false mustache, she exudes confidence and curiosity. Her self-portrait challenges societal norms of gender roles and showcases her artistic expression through cross-dressing. The interior setting adds another layer of intrigue to this photograph. We are transported into a bygone era where ornate furniture and intricate details adorn the room. It's almost as if time has stood still within these walls. As we delve deeper into this image, we can't help but appreciate the artistry behind both photography and transportation history. The composition highlights not only Frances Benjamin Johnston's talent but also her passion for capturing moments that transcend time. This sepia-toned gem serves as a reminder of how art can transport us to different eras while challenging conventions along the way. It invites us to reflect on our own perceptions of identity, creativity, and progress throughout history.
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