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Pillow : Encedi, from Volume II of The Holy Land engraved by Louis Haghe (1806-85)

Encedi, from Volume II of The Holy Land engraved by Louis Haghe (1806-85)




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Encedi, from Volume II of The Holy Land engraved by Louis Haghe (1806-85)

XCF266033 Encedi, from Volume II of The Holy Land engraved by Louis Haghe (1806-85) published in London, 1842 (colour litho) by Roberts, David (1796-1864) (after); Private Collection; English, out of copyright

Media ID 12785396

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18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft pillows

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This print transports us back in time to the biblical town of Encedi, beautifully captured by the talented artist Louis Haghe. The image, taken from Volume II of The Holy Land, published in London in 1842, showcases Haghe's exceptional engraving skills and attention to detail. The landscape depicted is nothing short of breathtaking. Towering rock formations and majestic mountains surround the ancient town, creating a dramatic backdrop that highlights its significance. As we gaze upon this scene, we can almost feel the weight of history hanging in the air. Encedi itself appears perched on a precipice, seemingly defying gravity as it clings to the edge of a rugged cliff face. Its stone buildings blend seamlessly with their natural surroundings, giving off an aura of timelessness and resilience. This print not only captures a moment frozen in time but also serves as a reminder of our connection to biblical narratives and historical landmarks. It invites us to explore our own spirituality and contemplate the stories that have shaped our collective consciousness. As we admire this masterpiece from David Roberts' private collection, let us be grateful for art's ability to transport us across centuries and continents – allowing us glimpses into worlds long gone but never forgotten.

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