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Pillow : Cover of "Le Grelot", number 54, Satirique en Couleurs

Cover of 'Le Grelot', number 54, Satirique en Couleurs




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Cover of "Le Grelot", number 54, Satirique en Couleurs

ICA4918644 Cover of " Le Grelot", number 54, Satirique en Couleurs, 1872_4_21: Not luck - Republican, Opportunism - Gambetta Leon, Spuller Eugene (1835-1896) - Illustration by Alfred Le Petitty (1841-1909) by Le Petit, Alfred (1841-1909); (add.info.: Cover of " Le Grelot", number 54, Satirique en Couleurs, 1872_4_21: Not luck - Republican, Opportunism - Gambetta Leon, Spuller Eugene (1835-1896) - Illustration by Alfred Le Petitty (1841-1909)); Photo eCaricadoc; French, out of copyright

Media ID 23338522

© Caricadoc / Bridgeman Images

Gambetta Le Petit Alfred 1841 1909 Leon 1838 1882 Travelling Merchant A Journal Caricadoc Journalism Newspapers


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
The print captures the vibrant and satirical cover of "Le Grelot", number 54, Satirique en Couleurs from 1872. The artwork, created by Alfred Le Petit, depicts a political scene filled with symbolism and commentary on French society during that time. In the center of the illustration stands Leon Gambetta, a prominent Republican statesman known for his opportunistic nature. Surrounding him are various figures representing different aspects of French politics and commerce. The image cleverly portrays Gambetta as a traveling merchant, highlighting his ability to adapt and seize opportunities. The artist's skillful use of color and detail brings this caricature to life. Every character is meticulously drawn, each expressing their own unique personality through exaggerated features and gestures. The bustling street scene in the background adds depth to the composition while emphasizing the fast-paced nature of politics. This artwork not only serves as a visual representation of historical events but also reflects the power dynamics and complexities within French society at that time. It showcases how art can be used as a tool for social commentary, shedding light on political issues through satire. Overall, this print offers viewers an intriguing glimpse into 19th-century France through its artistic depiction of influential figures and societal themes.

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