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Pillow : Mr Ernest Beckett (colour litho)
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Mr Ernest Beckett (colour litho)
613241 Mr Ernest Beckett (colour litho) by Ward, Leslie Matthew (Spy) (1851-1922); Private Collection; (add.info.: Mr Ernest Beckett, Whitby, 7 January 1904, Vanity Fair cartoon); Look and Learn / Peter Jackson Collection
Media ID 22413460
© Look and Learn / Peter Jackson Collection / Bridgeman Images
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print captures the essence of Mr. Ernest Beckett, a prominent figure in early 20th-century society. Created by Leslie Matthew Ward, also known as Spy, this colour lithograph showcases his exceptional talent for caricature and satire. The image depicts Mr. Beckett with an air of sophistication and authority, dressed impeccably in period attire. His piercing gaze suggests intelligence and wit, while his slightly raised eyebrow hints at a mischievous nature beneath his refined exterior. Ward's satirical drawing skillfully highlights Mr. Beckett's personality traits and social standing within the context of Vanity Fair magazine's editorial cartoons. Published on January 7th, 1904, this piece offers a scathing commentary on the subject's character or public persona. Whitby serves as the backdrop for this artwork - a picturesque coastal town that adds to the charm and intrigue of the scene. The combination of Ward's artistic prowess and Whitby's timeless beauty creates an engaging visual narrative that transports viewers back to an era defined by elegance and societal critique. As part of Look and Learn / Peter Jackson Collection held in private ownership, this cartoon print is not only a testament to Ward's artistic legacy but also provides valuable insight into the cultural landscape of early 20th-century Britain.
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