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Ruins at the Villa Farnese, 1780 (oil on paper)
PWI91454 Ruins at the Villa Farnese, 1780 (oil on paper) by Valenciennes, Pierre Henri de (1750-1819); 28x40 cm; Louvre, Paris, France; © Peter Willi
Media ID 24744368
© Peter Willi / Bridgeman Images
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this photo print, we are transported to the Villa Farnese in 1780, as captured by the talented artist Pierre Henri de Valenciennes. The ruins of this magnificent villa stand proudly against a backdrop of lush greenery and Lombardy cypress trees, creating a sense of both grandeur and tranquility. Valenciennes' masterful use of oil on paper brings out the intricate details of these ancient ruins, showcasing their weathered beauty and evoking a sense of nostalgia for a bygone era. The play of light and shadow adds depth to the painting, enhancing its romantic allure. As we gaze upon this Mediterranean landscape, we can almost feel the warm breeze rustling through the leaves and hear whispers from centuries past. It is as if time has stood still within these crumbling walls, inviting us to step into history and imagine what life was like during its heyday. This artwork is housed in the prestigious Louvre museum in Paris, France – a fitting location for such an exquisite piece. Peter Willi's expert photography captures every brushstroke with precision, ensuring that each detail shines through. With its blend of natural beauty and historical significance, this painting serves as a reminder that even in ruin there is artistry to be found. It invites us to appreciate not only the physical remnants but also the stories they hold within them.
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