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Pillow : Cover of " Les Corbeaux (Paris)", number 160, Satirique en Couleurs, 1908_4_19: Projet d'poster electoral - Anticlericalisme - Eg antirepublican - Pork, Cures
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Cover of " Les Corbeaux (Paris)", number 160, Satirique en Couleurs, 1908_4_19: Projet d'poster electoral - Anticlericalisme - Eg antirepublican - Pork, Cures
ICA4875212 Cover of " Les Corbeaux (Paris)", number 160, Satirique en Couleurs, 1908_4_19: Projet d'poster electoral - Anticlericalisme - Eg antirepublican - Pork, Cures; (add.info.: Cover of " Les Corbeaux (Paris)", number 160, Satirique en Couleurs, 1908_4_19: Projet d'poster electoral - Anticlericalisme - Eg antirepublican - Pork, Cures); Photo © Caricadoc
Media ID 38332798
© © Caricadoc / Bridgeman Images
Animalization Anticlericalism Cigar Dirty Election Overweight Smoker Smoking Addiction Tobacco Tobacco Box Tobacco Packet Tobacco Product Umbrella A Journal Caricadoc Religious Role
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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> Europe
> France
> Paris
> Politics
> Popular Themes
> Religious Images
EDITORS COMMENTS
This striking print captures the cover of "Les Corbeaux (Paris)" from 1908, a satirical publication filled with political commentary and caricatures. The image features a bold and provocative design, showcasing anti-clerical sentiments and criticism of the Republican government. A priest is depicted smoking a cigar, symbolizing corruption and hypocrisy within religious institutions.
The use of animals in place of human figures adds an element of dark humor to the composition, highlighting the absurdity of political power struggles. The inclusion of an umbrella-wielding figure suggests shady dealings and deceitful tactics employed by those in positions of authority.
The overall tone of the artwork is one of mockery and subversion, challenging societal norms and questioning established beliefs. Through clever visual storytelling, this piece invites viewers to reflect on issues such as religion, politics, and morality.
As a snapshot of early 20th-century French society, this print serves as a reminder that satire has long been used as a tool for social critique and dissent. It encourages us to look beyond surface appearances and consider the deeper meanings behind seemingly innocuous images.
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