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Pillow : Grinding Corn, c. 1792-95 (oil on canvas)

Grinding Corn, c. 1792-95 (oil on canvas)




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Grinding Corn, c. 1792-95 (oil on canvas)

XYC169482 Grinding Corn, c.1792-95 (oil on canvas) by Devis, Arthur William (1762-1822); 45x60 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Media ID 12737794

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Bengal Exotic Goat Grinder Suckling Toga


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


Grinding Corn, c. 1792-95 - A Glimpse into the Exotic Landscapes of Bengal

EDITORS COMMENTS
. This print showcases Arthur William Devis' masterpiece, "Grinding Corn" painted between 1792 and 1795. The oil on canvas painting measures 45x60 cm and is housed in the prestigious Yale Center for British Art's Paul Mellon Collection in the USA. The artwork transports us to a coastal landscape in Bengal, India, where agriculture thrives amidst breathtaking scenery. In this scene of daily life, we witness a woman diligently grinding corn while her family tends to their work nearby. The laborious task is made easier by the presence of a trusty goat suckling its young. Devis skillfully captures not only the beauty of the Indian countryside but also the essence of hard work and familial bonds within an agricultural community. The vibrant colors and meticulous attention to detail bring this exotic setting to life, allowing viewers to immerse themselves in this distant world. As we admire this remarkable piece from Devis' oeuvre, it serves as a reminder that art has no boundaries when it comes to capturing diverse cultures and showcasing human experiences across time and place. This particular painting offers us a glimpse into rural life in Bengal during the late 18th century—a testament to both artistic mastery and historical documentation.

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