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Pillow : Three skins on an oriental carpet Painting by Paul Cezanne (1839-1906) 1898 Solothurn
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Three skins on an oriental carpet Painting by Paul Cezanne (1839-1906) 1898 Solothurn
JLJ4603081 Three skins on an oriental carpet Painting by Paul Cezanne (1839-1906) 1898 Solothurn. Kunstmuseum. - Three skulls on an oriental rug. Painting by Paul Cezanne (1839-1906), 1898. Kunstmuseum, Solothurn, Switzerland by Cezanne, Paul (1839-1906); Kunstmuseum, Soleure, Swiss; (add.info.: Three skins on an oriental carpet Painting by Paul Cezanne (1839-1906) 1898 Solothurn. Kunstmuseum. - Three skulls on an oriental rug. Painting by Paul Cezanne (1839-1906), 1898. Kunstmuseum, Solothurn, Switzerland); Photo ePhoto Josse; French, out of copyright
Media ID 23334652
© Josse / Bridgeman Images
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Three Skins on an Oriental Carpet - A Haunting Allegory of Life and Death
EDITORS COMMENTS
. In this painting by Paul Cezanne, we are transported to a world where the boundaries between life and death blur. The artist's masterful brushstrokes bring to life three skulls resting upon an exquisite oriental rug. Painted in 1898, this thought-provoking artwork is housed in the Kunstmuseum in Solothurn, Switzerland. Cezanne's composition invites us to contemplate the fragility of existence and the inexorable passage of time. The skulls, stark against the vibrant colors of the carpet, serve as reminders of our mortality and evoke a sense of melancholy. They symbolize both individual lives lost and humanity's collective fate. The choice of an oriental carpet adds another layer of symbolism to the piece. Carpets have long been associated with comfort and domesticity, contrasting sharply with their role here as vessels for contemplation on mortality. Cezanne challenges us to confront our own mortality within familiar surroundings. Through his use of light and shadow, Cezanne creates a haunting atmosphere that draws viewers into his macabre scene. The careful attention given to each skull reveals not only technical skill but also a deep exploration into themes such as family ties, vanitas art (artwork that reflects on human transience), and cultural influences. As we gaze at "Three Skins on an Oriental Carpet" we are reminded that life is fleeting but also filled with beauty
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