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The King (engraving)




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The King (engraving)

3646481 The King (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: The King. From Holbeins Totentanz (Danse Macabre). Illustration for Kulturgeschichtliches Bilderbuch aus drei Jahrhunderten by Georg Hirth (Leipzig and Munchen, 1881-90). Digitally cleaned image.); © Look and Learn

Media ID 23119260

© Look and Learn / Bridgeman Images

Banquet Banquet Room Banqueting Banqueting Room Banqueting Scene Buffet Buffets Dance Of Death Feast Feasting Reformation Totentanz Dine Mealtime Mortality


18"x18" (46x46cm) Pillow

18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.

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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Albrecht (after) Durer or Duerer

> Fine Art Finder > Artists > Hans (after) Holbein the Younger

> Arts > Art Movements > Renaissance Art

> Arts > Dance

> Arts > Pop art > Satire > Satirical artwork

> Europe > Germany > Dance

> Europe > Germany > Leipzig

> Europe > Germany > Munich (Munchen)

> Historic > Renaissance art > Northern Renaissance art > Renaissance art

> Historic > Renaissance art > Northern Renaissance art

> Historic > Renaissance art > Religious themes in renaissance art

> Historic > Renaissance art


EDITORS COMMENTS
The King (engraving) by Holbein the Younger, Hans captures a captivating moment in history through its intricate details and satirical undertones. This 16th-century masterpiece, part of Holbein's Totentanz series, showcases the artist's exceptional skill in portraying both religious and political themes. In this print, we witness a banqueting scene where the king sits at the head of an opulent table filled with sumptuous food. The atmosphere is lively as guests engage in feasting and merriment. However, upon closer inspection, one realizes that this is not just any ordinary banquet; it is a Dance of Death or Totentanz allegory. Holbein cleverly uses satire to remind viewers of their mortality and the fleeting nature of worldly pleasures. Amidst all the decadence and indulgence lies a subtle reminder that death awaits us all. The juxtaposition between life's pleasures and inevitable demise creates a thought-provoking narrative. This engraving serves as a historical testament to German culture during the Renaissance period. It reflects both religious symbolism prevalent at that time and societal critiques hidden within art forms. Through his meticulous attention to detail, Holbein transports us back to an era where kings held immense power but were ultimately subject to mortality like everyone else. With its rich historical context and artistic brilliance, 'The King' engraving invites viewers into an intriguing world where religion meets satire, reminding us all of our shared humanity.

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