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The Linaiuoli Triptych (with open shutters): The Virgin and Child enthroned with St
BEN76093 The Linaiuoli Triptych (with open shutters): The Virgin and Child enthroned with St. John the Baptist and St. Mark, 1433 (tempera on panel) (for detail see 119416) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); 260x330 cm; Museo di San Marco, Florence, Italy; (add.info.: Ghiberti designed the marble frame; ); Photo eRaffaello Bencini; Italian, out of copyright
Media ID 23219698
© Raffaello Bencini / Bridgeman Images
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases "The Linaiuoli Triptych (with open shutters): The Virgin and Child enthroned with St. John the Baptist and St. Mark" a masterpiece by Fra Angelico, also known as Guido di Pietro or Giovanni da Fiesole. Painted in 1433 using tempera on panel, this monumental artwork measures an impressive 260x330 cm and is housed at the Museo di San Marco in Florence, Italy. The triptych features a central panel depicting the Virgin Mary seated on a throne with the Christ child in her lap. Flanking them are two revered figures: St. John the Baptist and St. Mark, each holding their respective symbols of identification. What makes this particular photograph intriguing is its composition with open shutters that reveal glimpses of other artworks within the museum space. This unique perspective adds depth to our understanding of how these masterpieces coexist within their environment. Notably, Ghiberti's skillfully designed marble frame enhances the overall aesthetic appeal of Angelico's painting, further exemplifying Renaissance artistry at its finest. Captured by Raffaello Bencini, an Italian photographer whose work has entered public domain due to copyright expiration, this print allows us to appreciate every intricate detail of Angelico's linaioli predella painting without any commercial implications attached. Overall, this image serves as a testament to both historical significance and artistic excellence for all fine art enthusiasts to admire and cherish
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