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Photographic Print : Western entrance to the Church of St Bartholomew-the-Great, Smithfield, City of London, 1837

Western entrance to the Church of St Bartholomew-the-Great, Smithfield, City of London, 1837




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Western entrance to the Church of St Bartholomew-the-Great, Smithfield, City of London, 1837

Western entrance to the Church of St Bartholomew-the-Great, Smithfield, City of London, 1837. A one-legged man, possibly a beggar, leans against the wall

Heritage Images features heritage image collections

Media ID 15173960

© London Metropolitan Archives (City of London) / Heritage-Images

Beggar Beggars Billings Church Tower John Le John Le Keux Keux Le Keux Robert William Robert William Billings Smithfield St Bartholomew The Great Archway


12"x8" Photo Print

Step back in time with our exquisite photographic print from Media Storehouse's Heritage Images collection. This captivating image captures the western entrance to the historic Church of St Bartholomew-the-Great in Smithfield, City of London, as it stood in 1837. A poignant moment is frozen in time as a one-legged man, possibly a beggar, leans against the ancient stone wall. Add an air of history and character to your home or office with this stunning, high-quality print. A perfect addition to any collection for history enthusiasts, art lovers, or those who appreciate the beauty of the past.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Image Size (if not cropped) is 19.5cm x 30.4cm (7.7" x 12")

Estimated Product Size is 20.3cm x 30.5cm (8" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Country > England

> Architecture > Religious

> Architecture > Towers > Churches

> Architecture > Towers > Related Images

> Arts > Art Movements > Medieval Art

> Arts > Artists > W > John White

> Arts > Artists > W > Robert White

> Arts > Artists > W > William White

> Arts > Minimalist artwork > Monochrome artwork > Fine art


EDITORS COMMENTS
This print captures the western entrance of the Church of St Bartholomew-the-Great in Smithfield, City of London, back in 1837. The architectural features of this 19th-century church are beautifully showcased through the elegant archway that frames the scene. Standing against the wall is a one-legged man, possibly a beggar, adding an intriguing human element to this historic composition. The image takes us on a journey through time as we witness the grandeur and beauty of British architecture from centuries past. The engraving by Robert William Billings transports us to medieval England, where churches like St Bartholomew-the-Great held significant religious importance for Christian communities. Located within Guildhall Library and Art Gallery's collection, this photograph serves as a reminder of our country's rich cultural heritage. It evokes feelings of nostalgia while highlighting both the physical structure and spiritual significance associated with such historical landmarks. The presence of poverty depicted by the beggar juxtaposes against the opulence represented by this magnificent church tower. This contrast prompts contemplation about societal disparities during that era and reflects upon broader concepts such as faith, religion, and compassion. As we gaze at this monochromatic snapshot frozen in time, it sparks curiosity about life in 19th-century England – its people, their struggles, and their resilience amidst adversity. This image stands not only as a testament to our architectural legacy but also invites reflection on humanity's enduring quest for solace and spirituality throughout history

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