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Photographic Print : Waiting for admission to St Marylebone Workhouse, Luxborough Street, London, c1901 (1903)

Waiting for admission to St Marylebone Workhouse, Luxborough Street, London, c1901 (1903)




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Waiting for admission to St Marylebone Workhouse, Luxborough Street, London, c1901 (1903)

Waiting for admission to St Marylebone Workhouse, Luxborough Street, London, c1901 (1903). From Living London, Vol. II, by George R. Sims. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1903]. (Colorised black and white print)

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Media ID 14980127

© The Print Collector

Colorised Colourised Destitute George R Sims George Robert George Robert Sims George Sims Hardship Line Up Lined Up Misery Queue Queuing Sims St Marylebone Waiting Workhouse City Of Westminster


12"x8" Photo Print

Step back in time with our vintage photographic print from Media Storehouse, featuring "Waiting for admission to St Marylebone Workhouse, Luxborough Street, London, c1901 (1903)" from Heritage Images. This captivating image, originally published in Living London, Vol. II by George R. Sims, offers a poignant glimpse into London's history. The black-and-white composition showcases the stark reality of the workhouse system, with individuals huddled together, waiting for admission. Perfect for adding depth and character to your home or office decor, this high-quality print is a must-have for history enthusiasts and art collectors alike. Embrace the beauty and intrigue of the past with Media Storehouse's exceptional range of photographic prints.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 30.5cm x 20.3cm (12" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > W > George White

> Arts > Artists > W > Robert White

> Europe > United Kingdom > England > London > Boroughs > City of Westminster

> Europe > United Kingdom > England > London > Related Images

> Europe > United Kingdom > England > London > Towns > Marylebone

> Europe > United Kingdom > England > Related Images

> Europe > United Kingdom > England > Westminster

> Europe > United Kingdom > England > York

> North America > United States of America > New York > Related Images


EDITORS COMMENTS
This colorized print captures a poignant scene outside the St Marylebone Workhouse on Luxborough Street in London, circa 1901. The image, taken from George R. Sims' Living London series, offers a glimpse into the harsh realities faced by the impoverished residents of early 20th-century Britain. In this snapshot of history, we see a long queue of men and women patiently waiting for admission to the workhouse. Their expressions reveal a mix of weariness and desperation as they stand along the crowded street. Despite their hardships, there is an air of resilience among these individuals who have come seeking refuge within its walls. The vibrant colors breathe new life into this photograph, allowing us to better connect with those captured in time. The faded hues highlight not only their physical struggles but also evoke emotions tied to poverty and destitution. As we observe this somber gathering outside the workhouse entrance, it serves as a stark reminder of the social inequalities that plagued Victorian society. This image transports us back to an era where hardship was commonplace for many living in bustling cities like London. Through this colorized lens, we are compelled to reflect upon our own privileges while acknowledging the resilience exhibited by those facing adversity head-on. It stands as both a historical document and a testament to human strength amidst challenging circumstances – reminding us never to take our own fortunes for granted.

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