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Photographic Print : Der Zechpreller, mid-late 19th century, (c1924). Creator: Carl Spitzweg

Der Zechpreller, mid-late 19th century, (c1924). Creator: Carl Spitzweg




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Der Zechpreller, mid-late 19th century, (c1924). Creator: Carl Spitzweg

Der Zechpreller, mid-late 19th century, (c1924). The bill-dodger. A man attempts to leave as a woman grabs his coat. From " Die gute alte Zeit: Zeichnungen von Karl Spitzweg", (The Good Old Days: drawings by Karl Spitzweg). [Benjamin Harz, Berlin-Vienna, c1924]

Heritage Images features heritage image collections

Media ID 18325148

© The Print Collector/Heritage Images

Avoiding Benjamin Benjamin Harz Carl Carl Spitzweg Harz Hotel Karl Karl Spitzweg Karl Spitzweg Von Karl Spitzweg Von Striedel Public House Running Away Spitzweg Striedel Tavern Von Striedel Dodging


10"x8" Photo Print

Introducing the Media Storehouse range of Photographic Prints featuring the iconic work "Der Zechpreller" by Carl Spitzweg. This captivating image, originally created in the mid-late 19th century around 1924, captures a moment of mischief and humor as a man tries to make a hasty exit, only to be stopped by a determined woman who refuses to let him go without settling his debts. This timeless piece, titled "The Bill-Dodger," is taken from Spitzweg's collection "Die gute alte Zeit: Zeichnungen von Karl Spitzweg," and is now available as a stunning photographic print to add character and charm to any space. Experience the rich history and storytelling of this masterpiece in your home or office.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Image Size (if not cropped) is 25.4cm x 18.1cm (10" x 7.1")

Estimated Product Size is 25.4cm x 20.3cm (10" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > S > Carl Spitzweg

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Realistic drawings > Pencil drawings > Fine art

> Arts > Realistic drawings > Pencil drawings > Sketches

> Europe > Germany > Berlin


Der Zechpreller

EDITORS COMMENTS
is a captivating print that captures the essence of the mid-late 19th century. Created by renowned artist Carl Spitzweg, this intriguing artwork showcases a moment frozen in time. The scene unfolds in a bustling pub, where an audacious man attempts to escape unnoticed while a determined woman grabs hold of his coat. The image is part of "Die gute alte Zeit: Zeichnungen von Karl Spitzweg" or "The Good Old Days: drawings by Karl Spitzweg". This collection curated by Benjamin Harz in Berlin-Vienna around 1924 transports us back to an era filled with charm and mischief. Spitzweg's meticulous pencil sketch beautifully conveys the tension between the genders as well as societal norms prevalent during that period. With great attention to detail, he portrays not only the characters but also their surroundings - from the rustic tavern setting to the elegant Victorian attire worn by both men and women. This artwork invites viewers to ponder themes such as deception, evasion, and human interaction within public spaces. It serves as a reminder that even in simpler times, people were not immune to acts of trickery or attempting to avoid responsibilities. As we gaze upon this monochrome masterpiece, we are transported into an era long gone but still resonating with its timeless portrayal of human nature.

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