Fraud Blocker Skip to main content

Photographic Print > Fine Art Finder > Artists > William Lee Hankey

William Lee Hankey Photographic Print Collection

Choose a picture from our collection for your Wall Art and Photo Gifts

202 Photographic Prints

Background imageWilliam Lee Hankey Photographic Print Collection: The Patchwork Quilt (oil on canvas)

The Patchwork Quilt (oil on canvas)
XPG379886 The Patchwork Quilt (oil on canvas) by Hankey, William Lee (1869-1952); Private Collection

Background imageWilliam Lee Hankey Photographic Print Collection: Bas relief picture depicting a pharaoh making offerings, Hatshepsut temple of Deir Al Bahari

Bas relief picture depicting a pharaoh making offerings, Hatshepsut temple of Deir Al Bahari, Luxor, Egypt (photo)
7062335 Bas relief picture depicting a pharaoh making offerings, Hatshepsut temple of Deir Al Bahari, Luxor, Egypt (photo) by Egyptian 18th Dynasty (c.1567-1320 BC); Deir El-Bahri, Thebes

Background imageWilliam Lee Hankey Photographic Print Collection: The Harbour, St Ives, (oil on canvas)

The Harbour, St Ives, (oil on canvas)
657970 The Harbour, St Ives, (oil on canvas) by Hankey, William Lee (1869-1952); 58x71 cm; Private Collection; (add.info.: The Harbour, St Ives. William Lee Hankey (1869-1952). Oil on canvas

Background imageWilliam Lee Hankey Photographic Print Collection: Illustration for The Deserted Village by Oliver Goldsmith (colour litho)

Illustration for The Deserted Village by Oliver Goldsmith (colour litho)
5992129 Illustration for The Deserted Village by Oliver Goldsmith (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: The decent church that topt the neighbouring hill)

Background imageWilliam Lee Hankey Photographic Print Collection: Mother and Child (oil on canvas)

Mother and Child (oil on canvas)
WAK64247 Mother and Child (oil on canvas) by Hankey, William Lee (1869-1952); 67.7x52.7 cm; The Hepworth Wakefield, West Yorkshire

Background imageWilliam Lee Hankey Photographic Print Collection: Illustration for Oliver Twist by Charles Dickens (colour litho)

Illustration for Oliver Twist by Charles Dickens (colour litho)
5222780 Illustration for Oliver Twist by Charles Dickens (colour litho) by Tennant, C. Dudley (1867-1952) (after); Private Collection; (add.info.: Oliver recaptured by Nancy and Bill Sikes)

Background imageWilliam Lee Hankey Photographic Print Collection: Pommes et Draperie, 1939 (oil on canvas)

Pommes et Draperie, 1939 (oil on canvas)
652290 Pommes et Draperie, 1939 (oil on canvas) by Valtat, Louis (1869-1952); 19.7x27.6 cm; Private Collection; (add.info.: Pommes et Draperie. Louis Valtat (1869-1952). Oil on canvas, 1939

Background imageWilliam Lee Hankey Photographic Print Collection: Mother and Child, (oil on canvas)

Mother and Child, (oil on canvas)
826921 Mother and Child, (oil on canvas) by Hankey, William Lee (1869-1952); 45.7x38 cm; Private Collection; (add.info.: Mother and Child. William Lee-Hankey. (1869-1952). Oil on canvas

Background imageWilliam Lee Hankey Photographic Print Collection: Henry James, 1910 (b/w photo)

Henry James, 1910 (b/w photo)
1766079 Henry James, 1910 (b/w photo) by Bain, George Grantham - Bain News Service (1865-1944); Private Collection; (add.info)

Background imageWilliam Lee Hankey Photographic Print Collection: The Nazarene Mother

The Nazarene Mother
931054 The Nazarene Mother by Hankey, William Lee (1869-1952); Private Collection; (add.info.: Allies in Art published by Cassells circa 1920)

Background imageWilliam Lee Hankey Photographic Print Collection: Un Village au Bord de la Mer, 1896-1897 (oil on burlap)

Un Village au Bord de la Mer, 1896-1897 (oil on burlap)
652264 Un Village au Bord de la Mer, 1896-1897 (oil on burlap) by Valtat, Louis (1869-1952); 54.6x65.4 cm; Private Collection; (add.info.: Un Village au Bord de la Mer. Louis Valtat (1869-1952)

Background imageWilliam Lee Hankey Photographic Print Collection: Illustration for The Deserted Village by Oliver Goldsmith (colour litho)

Illustration for The Deserted Village by Oliver Goldsmith (colour litho)
5992143 Illustration for The Deserted Village by Oliver Goldsmith (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: I still had hopes, for pride attends us still)

Background imageWilliam Lee Hankey Photographic Print Collection: 146034

146034

Background imageWilliam Lee Hankey Photographic Print Collection: Young Mother with Child Asleep in her Lap (w/c on paper)

Young Mother with Child Asleep in her Lap (w/c on paper)
MIG97766 Young Mother with Child Asleep in her Lap (w/c on paper) by Hankey, William Lee (1869-1952); 17.8x14 cm; Private Collection; (add.info)

Background imageWilliam Lee Hankey Photographic Print Collection: Statue of Venus Felix, c. 170 (marble)

Statue of Venus Felix, c. 170 (marble)
3362276 Statue of Venus Felix, c.170 (marble) by Roman, (2nd century); (add.info.: Dedicated by Sallustia and Helpidus to Venus Felix); Photo © Stefano Baldini

Background imageWilliam Lee Hankey Photographic Print Collection: The cooling brook, the grassy-vested green (colour litho)

The cooling brook, the grassy-vested green (colour litho)
955980 The cooling brook, the grassy-vested green (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: The Deserted Village published by Constable & Company Ltd 1909)

Background imageWilliam Lee Hankey Photographic Print Collection: Those matted woods where birds forgot to sing, but silent bats in drowsy clusters cling

Those matted woods where birds forgot to sing, but silent bats in drowsy clusters cling (colour litho)
955979 Those matted woods where birds forgot to sing, but silent bats in drowsy clusters cling (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info)

Background imageWilliam Lee Hankey Photographic Print Collection: She left her wheel and robes of country brown (colour litho)

She left her wheel and robes of country brown (colour litho)
955978 She left her wheel and robes of country brown (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: The Deserted Village published by Constable & Company Ltd 1909)

Background imageWilliam Lee Hankey Photographic Print Collection: If, to some common's fenceless limits strayed, he drives his flock to pick the scanty blade

If, to some common's fenceless limits strayed, he drives his flock to pick the scanty blade (colour litho)
955975 If, to some common's fenceless limits strayed, he drives his flock to pick the scanty blade (colour litho) by Hankey

Background imageWilliam Lee Hankey Photographic Print Collection: Where then, ah! Where shall poverty reside? (colour litho)

Where then, ah! Where shall poverty reside? (colour litho)
955974 Where then, ah! Where shall poverty reside? (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: The Deserted Village published by Constable & Company Ltd 1909)

Background imageWilliam Lee Hankey Photographic Print Collection: Near yonder thorn, that lifts its head on high, where once the sign post caught the passing eye

Near yonder thorn, that lifts its head on high, where once the sign post caught the passing eye (colour litho)
955968 Near yonder thorn, that lifts its head on high, where once the sign post caught the passing eye (colour litho) by Hankey

Background imageWilliam Lee Hankey Photographic Print Collection: And still they gazed, and still the wonder grew, that one small heAD could carry all he knew

And still they gazed, and still the wonder grew, that one small heAD could carry all he knew (colour litho)
955967 And still they gazed, and still the wonder grew, that one small heAD could carry all he knew (colour litho) by Hankey

Background imageWilliam Lee Hankey Photographic Print Collection: The long remembered beggar was his guest, whose beard descending swept his aged breast

The long remembered beggar was his guest, whose beard descending swept his aged breast (colour litho)
955962 The long remembered beggar was his guest, whose beard descending swept his aged breast (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info)

Background imageWilliam Lee Hankey Photographic Print Collection: There where a few torn shrubs the place disclose, the village preachers modest mansion rose

There where a few torn shrubs the place disclose, the village preachers modest mansion rose (colour litho)
955960 There where a few torn shrubs the place disclose, the village preachers modest mansion rose (colour litho) by Hankey

Background imageWilliam Lee Hankey Photographic Print Collection: Griselda (bronze on marble base)

Griselda (bronze on marble base)
Ma201346 Griselda (bronze on marble base) by Drury, Alfred (1856-1944); 38.1 high cm; Private Collection; Photo © The Ms Gallery, London

Background imageWilliam Lee Hankey Photographic Print Collection: Virgin Mary with the Infant Christ (hand coloured drypoint)

Virgin Mary with the Infant Christ (hand coloured drypoint)
MIG97771 Virgin Mary with the Infant Christ (hand coloured drypoint) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: by William Lee Hankey); Courtesy of Manya Igel Fine Arts

Background imageWilliam Lee Hankey Photographic Print Collection: Snow in Bloomsbury, 1929 (oil on canvas)

Snow in Bloomsbury, 1929 (oil on canvas)
CH401755 Snow in Bloomsbury, 1929 (oil on canvas) by Ginner, Charles (1878-1952); 76.2x55.9 cm; Private Collection; Photo © Christie's Images

Background imageWilliam Lee Hankey Photographic Print Collection: The Harbour, (oil on canvas)

The Harbour, (oil on canvas)
657089 The Harbour, (oil on canvas) by Hankey, William Lee (1869-1952); 59.1x89.5 cm; Private Collection; (add.info.: The Harbour. William Lee Hankey (1869-1952). Oil on canvas

Background imageWilliam Lee Hankey Photographic Print Collection: The Inner Harbour, Dieppe, (oil on canvas)

The Inner Harbour, Dieppe, (oil on canvas)
656957 The Inner Harbour, Dieppe, (oil on canvas) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: The Inner Harbour, Dieppe. William Lee Hankey (1869-1952). Oil on canvas

Background imageWilliam Lee Hankey Photographic Print Collection: On the Dykes, c. 1910 (oil on canvas)

On the Dykes, c. 1910 (oil on canvas)
BRA33355 On the Dykes, c.1910 (oil on canvas) by Hankey, William Lee (1869-1952); 153.5x175 cm; Bradford Art Galleries and Museums, West Yorkshire

Background imageWilliam Lee Hankey Photographic Print Collection: Vishnu, 1100-1200, Pala Period (black shale)

Vishnu, 1100-1200, Pala Period (black shale)
1108962 Vishnu, 1100-1200, Pala Period (black shale) by Indian School (12th century); Victoria & Albert Museum, London, UK; Photo © Stefano Baldini

Background imageWilliam Lee Hankey Photographic Print Collection: And kissed her thoughtless babes with many a tear, and clapsed them close

And kissed her thoughtless babes with many a tear, and clapsed them close, in sorrow doubly dear (colour litho)
955983 And kissed her thoughtless babes with many a tear, and clapsed them close, in sorrow doubly dear (colour litho) by Hankey

Background imageWilliam Lee Hankey Photographic Print Collection: Slights every borrowed charm that dress supplies, now shares with art the triumph of her eyes

Slights every borrowed charm that dress supplies, now shares with art the triumph of her eyes (colour litho)
955973 Slights every borrowed charm that dress supplies, now shares with art the triumph of her eyes (colour litho) by Hankey

Background imageWilliam Lee Hankey Photographic Print Collection: The host himself (colour litho)

The host himself (colour litho)
955971 The host himself (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: The Deserted Village published by Constable & Company Ltd 1909)

Background imageWilliam Lee Hankey Photographic Print Collection: While broken tea cups, wisely kept for show, ranged o'er the chimney

While broken tea cups, wisely kept for show, ranged o'er the chimney, glistened in a row (colour litho)
955970 While broken tea cups, wisely kept for show, ranged o'er the chimney, glistened in a row (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info)

Background imageWilliam Lee Hankey Photographic Print Collection: Wept o'er his wounds, or tales of sorrow done, shouldered his crutch

Wept o'er his wounds, or tales of sorrow done, shouldered his crutch, and showed how fields were won (colour litho)
955963 Wept o'er his wounds, or tales of sorrow done, shouldered his crutch, and showed how fields were won (colour litho) by Hankey

Background imageWilliam Lee Hankey Photographic Print Collection: A man he was to all the country dear, and passing rich with forty pounds a year (colour litho)

A man he was to all the country dear, and passing rich with forty pounds a year (colour litho)
955961 A man he was to all the country dear, and passing rich with forty pounds a year (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info)

Background imageWilliam Lee Hankey Photographic Print Collection: She only left of all harless train, the sad historian of the pensive plain (colour litho)

She only left of all harless train, the sad historian of the pensive plain (colour litho)
955959 She only left of all harless train, the sad historian of the pensive plain (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info)

Background imageWilliam Lee Hankey Photographic Print Collection: There as I passed careless steps and slow, the mingling notes came softened from below

There as I passed careless steps and slow, the mingling notes came softened from below (colour litho)
955956 There as I passed careless steps and slow, the mingling notes came softened from below (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info)

Background imageWilliam Lee Hankey Photographic Print Collection: How happy he who crowns, in shades like these, a youth of labour with an age of ease (colour litho)

How happy he who crowns, in shades like these, a youth of labour with an age of ease (colour litho)
955955 How happy he who crowns, in shades like these, a youth of labour with an age of ease (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info)

Background imageWilliam Lee Hankey Photographic Print Collection: A time there was, ere England's grief began, when every rood of ground maintained its man

A time there was, ere England's grief began, when every rood of ground maintained its man (colour litho)
955951 A time there was, ere England's grief began, when every rood of ground maintained its man (colour litho) by Hankey

Background imageWilliam Lee Hankey Photographic Print Collection: Her modest looks the cottage might AD orn, sweet as the primrose peeps beneath the thorn

Her modest looks the cottage might AD orn, sweet as the primrose peeps beneath the thorn (colour litho)
955946 Her modest looks the cottage might AD orn, sweet as the primrose peeps beneath the thorn (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info)

Background imageWilliam Lee Hankey Photographic Print Collection: And left a lover's for her father's arms (colour litho)

And left a lover's for her father's arms (colour litho)
955982 And left a lover's for her father's arms (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: The Deserted Village published by Constable & Company Ltd 1909)

Background imageWilliam Lee Hankey Photographic Print Collection: And, pinched with cold, and shrinking from the shower, with heavy heart deplores that luckless

And, pinched with cold, and shrinking from the shower, with heavy heart deplores that luckless hour (colour litho)
955977 And, pinched with cold, and shrinking from the shower, with heavy heart deplores that luckless hour (colour litho) by Hankey

Background imageWilliam Lee Hankey Photographic Print Collection: E'en children followed with endearing wile, and plucked his gown

E'en children followed with endearing wile, and plucked his gown, to share the good man's smile (colour litho)
955965 E'en children followed with endearing wile, and plucked his gown, to share the good man's smile (colour litho) by Hankey

Background imageWilliam Lee Hankey Photographic Print Collection: The playful children just let loose from school (colour litho)

The playful children just let loose from school (colour litho)
955958 The playful children just let loose from school (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info)

Background imageWilliam Lee Hankey Photographic Print Collection: The noisy geese that gabbled o'er the pool (colour litho)

The noisy geese that gabbled o'er the pool (colour litho)
955957 The noisy geese that gabbled o'er the pool (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: The Deserted Village published by Constable & Company Ltd 1909)

Background imageWilliam Lee Hankey Photographic Print Collection: Here as I take my solitary rounds, amidst thy tangling walks, and ruined grounds (colour litho)

Here as I take my solitary rounds, amidst thy tangling walks, and ruined grounds (colour litho)
955953 Here as I take my solitary rounds, amidst thy tangling walks, and ruined grounds (colour litho) by Hankey, William Lee (1869-1952); Private Collection; (add.info)



All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2003, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site