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Photographic Print : Lelio draws from "Masques et bouffons"(Italian comedy)

Lelio draws from 'Masques et bouffons'(Italian comedy)




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Lelio draws from "Masques et bouffons"(Italian comedy)

LSE4090628 Lelio draws from " Masques et bouffons" (Italian comedy), text and drawings by Maurice Sand (1823-1890), engravings by A. Manceau, preface by Georges Sand, Paris, Michel Levy Freres, 1860. by Sand, Maurice (1823-1889); Bibliotheque des Arts Decoratifs, Paris, France; (add.info.: Lelio draws from " Masques et bouffons" (Italian comedy), text and drawings by Maurice Sand (1823-1890), engravings by A. Manceau, preface by Georges Sand, Paris, Michel Levy Freres, 1860.); Photo eLeonard de Selva; French, out of copyright

Media ID 23696432

© Leonard de Selva / Bridgeman Images

Commedia Dell Arte Commedia Dellarte


10"x8" Photo Print

Bring the timeless charm of Italian comedy to your home with Media Storehouse's Photographic Prints. Our exquisite offering features this captivating image of Lelio, a character from Maurice Sand's "Masques et bouffons" (Italian comedy), as depicted in the engravings by A. This stunning print, drawn from Leonard de Selva's fine art collection on Fine Art Finder (LSE4090628), is a testament to the rich history and artistry of Italian theater. Each print is meticulously produced using premium materials and state-of-the-art printing techniques to ensure the highest quality and vibrant colors. Add this beautiful piece to your collection and let the enchanting world of Italian comedy be a part of your daily life.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Maurice Sands

> Fine Art Finder > Artists > Unknown Artist

> Arts > Artists > M > Georges Michel

> Arts > Artists > S > George Sand

> Arts > Artists > S > Maurice Sand


EDITORS COMMENTS
This print showcases an engraving titled "Lelio draws from 'Masques et bouffons' (Italian comedy)" by Maurice Sand. The artwork was published in Paris in 1860 and features text and drawings by Sand, with engravings by A. Manceau and a preface by Georges Sand. The image captures the essence of Italian comedy, known as commedia dell'arte, during the 18th century. The engraving depicts Lelio, a character from the Italian comedy tradition, engrossed in his artistic pursuit. With focused determination, he delicately sketches on paper while surrounded by various theatrical masks and costumes that symbolize the vibrant world of masquerade theater. The composition is rich in color and detail, showcasing the skillful craftsmanship of both Sand's illustrations and Manceau's engravings. Each line seems to come alive on paper, capturing the spirit of this timeless art form. This print offers viewers a glimpse into a fascinating era where laughter reigned supreme on stage. It serves as a reminder of the enduring power of art to transport us to different times and cultures. Leonard de Selva expertly captures this enchanting piece through his lens, preserving its beauty for generations to come. As we admire this photograph today, we can appreciate not only its aesthetic appeal but also its historical significance within the realm of decorative arts.

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