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Photographic Print : The Butter Plate, number 387, Satirical in Colors, 1908_8_29

The Butter Plate, number 387, Satirical in Colors, 1908_8_29




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The Butter Plate, number 387, Satirical in Colors, 1908_8_29

ICA4909076 The Butter Plate, number 387, Satirical in Colors, 1908_8_29: Turkey - Illustration by George of Ostoya-Sochinsky (D Ostoya) (1878-1937) by Ostoya, Georges d (Dochinsky or Sochinsky) (1878-1937); (add.info.: The Butter Plate, number 387, Satirical in Colors, 1908_8_29: Turkey - Illustration by George of Ostoya-Sochinsky (D Ostoya) (1878-1937)); Photo eCaricadoc; French, out of copyright

Media ID 23719204

© Caricadoc / Bridgeman Images

Black Sea Distrust Drowning Fishing Rod Ottoman Empire Repent Sinner Sultan Caricadoc Journalism Newspapers To Fish Turk


10"x8" Photo Print

Bring a touch of whimsy and historical charm to your home or office with Media Storehouse's Photographic Print of The Butter Plate, number 387, Satirical in Colors, 1908_8_29 by Bridgeman Images. This captivating illustration, titled "Turkey - Illustration by George of Ostoya-Sochinsky (D Ostoya)" (ICA4909076), is a satirical work by Russian artist Dmitri Dmitriyevich Ostoya, created in 1908. The vivid colors and intricate details of this timeless piece are sure to add character and depth to any space. Experience the rich history and artistic mastery of this satirical work, now available as a high-quality photographic print from Media Storehouse's Fine Art Finder collection.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Georges d' (1878-1937) Ostoya

> Fine Art Finder > Artists > Maurice Bompard

> Animals > Fishes > Related Images

> Asia > Turkey > Related Images

> Popular Themes > Politics


The Butter Plate, number 387, Satirical in Colors

EDITORS COMMENTS
is a captivating print that transports us back to the year 1908. This satirical illustration by George of Ostoya-Sochinsky, also known as D Ostoya (1878-1937), offers a glimpse into the political climate of the time. The image depicts a scene set in Turkey, showcasing an intricate engraving filled with symbolism and hidden meanings. A repentant statesman from France can be seen walking along the coastline of the Black Sea, holding a fishing rod as if trying to catch something elusive. The distrust between French and Turkish press during this era is evident through various elements such as an animal representing the Ottoman Empire drowning in turbulent waters. As we explore further, we notice subtle references to historical events and cultural aspects. The sultan's presence hints at the power dynamics within Turkey while emphasizing its connection to France. The view of a city in the background adds depth to this narrative. This artwork not only captures significant moments from history but also showcases Georges d'Ostoya's exceptional talent as an engraver. His use of colors brings life to this piece and enhances its impact on viewers. "The Butter Plate, number 387, Satirical in Colors" serves as a reminder of how art can transcend time and provide valuable insights into past societies. It invites us to reflect on political tensions and journalistic practices prevalent during that period while appreciating Ostoya's artistic brilliance.

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