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Photographic Print : Shinagawa: departure of a Daimyo, in later editions called Sunrise, No. 2 from the series 53 Stations of the Tokaido ('Tokaido gojusan tsugi no uchi'), pub. by Hoeido, 1834-35 (colour woodblock print)

Shinagawa: departure of a Daimyo, in later editions called Sunrise, No. 2 from the series 53 Stations of the Tokaido ('Tokaido gojusan tsugi no uchi'), pub. by Hoeido, 1834-35 (colour woodblock print)




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Shinagawa: departure of a Daimyo, in later editions called Sunrise, No. 2 from the series 53 Stations of the Tokaido ('Tokaido gojusan tsugi no uchi'), pub. by Hoeido, 1834-35 (colour woodblock print)

XIR192400 Shinagawa: departure of a Daimyo, in later editions called Sunrise, No.2 from the series 53 Stations of the Tokaido ('Tokaido gojusan tsugi no uchi'), pub. by Hoeido, 1834-35 (colour woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); Musee des Beaux-Arts, Angers, France; Japanese, out of copyright

Media ID 12751094

© Bridgeman Images

Cargo Junk Ukiyo E Yoko E Sun Rising


11"x8.5" Photo Print

Experience the rich history and culture of Japan with this stunning photographic print from the Media Storehouse collection. Featuring the iconic woodblock print "Shinagawa: Departure of a Daimyo, also known as Sunrise No. 2 from the series 53 Stations of the Tokaido," published by Hoeido in 1834-35, this artwork is a captivating representation of Japanese life during the Edo period. The intricate details and vibrant colors of this collector's item are beautifully preserved in our high-quality photographic print. Bring the elegance and allure of traditional Japanese art into your home or office and add a touch of sophistication to any space.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Image Size (if not cropped) is 27.9cm x 17.8cm (11" x 7")

Estimated Product Size is 27.9cm x 21.6cm (11" x 8.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This print titled "Shinagawa: departure of a Daimyo, in later editions called Sunrise, No. 2 from the series 53 Stations of the Tokaido" takes us back to 19th century Japan. Created by Hiroshige, Ando or Utagawa between 1834-35, this colour woodblock print showcases their mastery in capturing the essence of Japanese culture and landscapes. The image depicts Shinagawa, a bustling port and harbour filled with activity. A majestic junk boat is seen anchored near the shore while smaller vessels navigate through calm waters. The rising sun casts a warm glow over the scene, symbolizing new beginnings and promising adventures ahead. Intricate details are evident throughout the artwork - from the meticulously rendered cargo on board to the delicate brushstrokes that bring life to every element. This ukiyo-e style print offers viewers a glimpse into daily life during this era; it transports us to an enchanting world where tradition meets modernity. Displayed at Musee des Beaux-Arts in Angers, France, this piece represents not only an important part of Japanese art history but also serves as a reminder of our shared human experiences across time and cultures. It invites contemplation about journeys taken and those yet to come - both literal and metaphorical. As we admire this remarkable work by Hiroshige (Ando or Utagawa), let us appreciate its beauty and significance as a testament to artistic excellence that transcends borders and

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