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Photographic Print : A student is introduced to the head of a college at Oxford University. First Bow to Alma Mater, or Bernard Blackmantle's introduction to the Big Wig. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London

A student is introduced to the head of a college at Oxford University. First Bow to Alma Mater, or Bernard Blackmantle's introduction to the Big Wig. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London




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A student is introduced to the head of a college at Oxford University. First Bow to Alma Mater, or Bernard Blackmantle's introduction to the Big Wig. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London

FLO4618834 A student is introduced to the head of a college at Oxford University. First Bow to Alma Mater, or Bernard Blackmantle's introduction to the Big Wig. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.; (add.info.: A student is introduced to the head of a college at Oxford University. First Bow to Alma Mater, or Bernard Blackmantle's introduction to the Big Wig. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.); © Florilegius

Media ID 38154452

© © Florilegius / Bridgeman Images

Angleterre Bernard Blackmantle Charles Molloy Westmacott Dean Gift Oxford University Robert Cruikshank Student The English Spy Allemagne Grande Bretagne


12"x8" Photo Print

Capture the essence of academia with this stunning photographic print from Media Storehouse. Featuring a historic scene at Oxford University, this handcoloured copperplate engraving by Robert Cruikshank is sure to add a touch of sophistication to any space. Perfect for those who appreciate fine art and British history.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Image Size (if not cropped) is 30.4cm x 18.5cm (12" x 7.3")

Estimated Product Size is 30.5cm x 20.3cm (12" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > Robert Cruikshank

> Europe > United Kingdom > England > London > Towns > Bow

> Europe > United Kingdom > England > Oxford

> Popular Themes > Universities and Colleges


EDITORS COMMENTS
In this handcoloured copperplate print from 1825, we are transported to the prestigious halls of Oxford University as a student is introduced to the head of a college. The scene captures the moment of "First Bow to Alma Mater," or as Bernard Blackmantle eloquently puts it, the introduction to the Big Wig. The intricate details in Robert Cruikshank's engraving bring to life this significant encounter between student and authority figure. The student, dressed in traditional academic attire, bows respectfully before the esteemed head of college, showcasing a gesture of reverence towards their alma mater. Bernard Blackmantle's witty narrative adds an element of satire and humor to this formal occasion, shedding light on the dynamics at play within such esteemed institutions. As Charles Molloy Westmacott's pseudonym suggests, there is an air of mystery and intrigue surrounding this interaction between academia and hierarchy. This print serves as a window into a bygone era where education was revered and respected, capturing not only the essence of academic life but also highlighting the importance of tradition and ceremony within educational institutions like Oxford University. It is truly a timeless piece that continues to resonate with viewers today.

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