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Photo Mug : Untitled (recto); Untitled (verso), 1880s

Untitled (recto); Untitled (verso), 1880s




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Untitled (recto); Untitled (verso), 1880s

Untitled (recto); Untitled (verso), 1880s. Probably taken by one of two British photographic firms based in Ceylon (present-day Sri Lanka), this image was likely shot by a European and was definitely made for a European audience, not for the individuals depicted. It is unlikely the sitters ever saw the finished photograph. Such ethnographic portraits were collected by governments as information, by tourists as souvenirs, and by " armchair travelers" as aids to the imagination. Viewers of the era would have regarded it more as a depiction of a cultural type than as a record of individual lives. Because interiors of temples were too dark to yield an image, the photographer arranged these Thai monks and worshippers along with some of their religious objects outdoors

Heritage Images features heritage image collections

Media ID 19647971

© Heritage Art/Heritage Images

Gold Toned Charles T Scowen


Large Photo Mug (15 oz)

Bring the timeless beauty of history into your daily routine with Media Storehouse's Photo Mugs. Featuring an exquisite image from Heritage Images, this mug showcases "Untitled (recto); Untitled (verso), 1880s" - a captivating photograph from the 1800s, likely taken by one of the British photographic firms based in Ceylon (present-day Sri Lanka). Embrace the rich heritage of the past as you enjoy your favorite beverage, making each sip a journey through time. Perfect for history enthusiasts and collectors, this Photo Mug is a must-have addition to your kitchenware collection.

Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.

Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.

These are individually made so all sizes are approximate


FEATURES IN THESE COLLECTIONS

> Arts > Artists > G > Charles Gold

> Asia > Sri Lanka > Related Images

> Asia > Thailand > Related Images

> Europe > United Kingdom > England > Cleveland

> Europe > United Kingdom > England > London > Sights > British Museum


EDITORS COMMENTS
This photo print, titled "Untitled (recto); Untitled (verso), 1880s" offers a glimpse into the colonial era of Ceylon (present-day Sri Lanka). Shot by one of two British photographic firms based in the region, it is evident that this image was intended for a European audience rather than the individuals depicted. The sitters themselves may have never even laid eyes on this finished photograph. During this time, ethnographic portraits like these were highly sought after by governments seeking information, tourists looking for souvenirs, and armchair travelers yearning to fuel their imagination. Viewers of that era would have regarded such images as depictions of cultural types rather than records of individual lives. Intriguingly, due to the dim lighting inside temples making photography challenging, the photographer ingeniously arranged these Thai monks and worshippers outdoors alongside some religious objects. This creative solution allowed for a visually striking composition while still capturing elements of their spiritual practices. The albumen print with gold toning adds an exquisite touch to this historical artifact. It serves as a testament to British influence in Ceylon during the late 19th century and showcases the skillful workmanship of Charles T. Scowen and his firm Skeen & Co. , who played a significant role in documenting life in colonial territories. Now preserved within The Cleveland Museum of Art's collection, this Heritage Art/Heritage Images print invites us to reflect upon our past and contemplate how perceptions have evolved over

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